Forever Pavot: La Pantoufle
Title: La Pantoufle
Artist: Forever Pavot
Label: Born Bad Records
Product Type: COMPACT DISCS
UPC: 3521383444931
Genre: Rock
You might know Émile Sornin as the son, the pupil, who saw fathers of his among the pioneers of baroque, progressive, and psychedelic pop; who found big brothers by heart and aesthetics in Aquaserge; the (nearly) solitary creator of the "fine retro-maniac piece of work" (The Drone), Rhapsode, in 2014 (BORNBAD 066CD/LP). After experiences in metal, garage, hip hop, he had spent a lot of time exploring, mixing together, digging, getting to the roots with the seriousness of a young man on a quest for territories to occupy. An insatiable jack-of-all-trades, he directed delirious videos for Dizzee Rascal or Disclosure when he wasn't combing the countryside to discover new instruments - the movie Le Bon Coin Forever (2016). Here is Émile Sornin the (new) father, the dubbed artist, the one-man-studio fully aware of his essential influences (French '70s movie soundtracks - Philippe Sarde, François de Roubaix, Francis Lai - rather than Italian giallo soundtracks, synth pioneers such as Wendy Carlos or Mort Garson, library music à la Camille Sauvage, Claude Vasori, and Roger Roger); the captain of a dense, tight live band. The man called by producer Sebastian to the bedside of - scoop - Charlotte Gainsbourg's next album. The man who just gave birth to La Pantoufle. From shore to shore, Émile Sornin incorporated into his music the humor and self-mockery he didn't dare to embrace in the past. He dropped English to explore sideways his mother tongue, the tongue that says "ça lance", "ça m'est égal", and "c'est pas si dégueu". He unleashed his instrumental eloquence - more obsessive than ever arrangement-wise, more jazz and nervous execution-wise, not balking at any dramatic effect to seize the listener's perceptions. Most importantly, he drew on his own memories and blanks ("La Pantoufle Dans Le Puits", "La Soupe À La Grolle", "Les Groseilles Au Fond Du Jardin") to give rise to suspense, fiction, and interpretations. Built as an imaginary movie in which genres collide from one scene to the next (crime film, romance, comedy, erotica, slasher - you name it), La Pantoufle draws on childhood joys and terrors, only to reenchant them. This is how Forever Pavot takes on it's role as a "Father", laying the foundations for a bright future.
Tracks:
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
Artist: Forever Pavot
Label: Born Bad Records
Product Type: COMPACT DISCS
UPC: 3521383444931
Genre: Rock
You might know Émile Sornin as the son, the pupil, who saw fathers of his among the pioneers of baroque, progressive, and psychedelic pop; who found big brothers by heart and aesthetics in Aquaserge; the (nearly) solitary creator of the "fine retro-maniac piece of work" (The Drone), Rhapsode, in 2014 (BORNBAD 066CD/LP). After experiences in metal, garage, hip hop, he had spent a lot of time exploring, mixing together, digging, getting to the roots with the seriousness of a young man on a quest for territories to occupy. An insatiable jack-of-all-trades, he directed delirious videos for Dizzee Rascal or Disclosure when he wasn't combing the countryside to discover new instruments - the movie Le Bon Coin Forever (2016). Here is Émile Sornin the (new) father, the dubbed artist, the one-man-studio fully aware of his essential influences (French '70s movie soundtracks - Philippe Sarde, François de Roubaix, Francis Lai - rather than Italian giallo soundtracks, synth pioneers such as Wendy Carlos or Mort Garson, library music à la Camille Sauvage, Claude Vasori, and Roger Roger); the captain of a dense, tight live band. The man called by producer Sebastian to the bedside of - scoop - Charlotte Gainsbourg's next album. The man who just gave birth to La Pantoufle. From shore to shore, Émile Sornin incorporated into his music the humor and self-mockery he didn't dare to embrace in the past. He dropped English to explore sideways his mother tongue, the tongue that says "ça lance", "ça m'est égal", and "c'est pas si dégueu". He unleashed his instrumental eloquence - more obsessive than ever arrangement-wise, more jazz and nervous execution-wise, not balking at any dramatic effect to seize the listener's perceptions. Most importantly, he drew on his own memories and blanks ("La Pantoufle Dans Le Puits", "La Soupe À La Grolle", "Les Groseilles Au Fond Du Jardin") to give rise to suspense, fiction, and interpretations. Built as an imaginary movie in which genres collide from one scene to the next (crime film, romance, comedy, erotica, slasher - you name it), La Pantoufle draws on childhood joys and terrors, only to reenchant them. This is how Forever Pavot takes on it's role as a "Father", laying the foundations for a bright future.
Tracks:
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
