Zinfedelity Vol. 1 (CD)

• Category:  Music  »  Blues  »  General/Blues
• Format: CD   Learn more about the CD format using Tower WIKI.
• Release Date: June 14, 2005
• Label: Bad Daddy
• UPC: 659428001320
• WAPI (Tower ID): 106482147
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• Tower.com Sales Rank: #183062 in Music (See Top 100 Music Bestsellers)
• #4227 in Blues (See Top 100 Blues Bestsellers)
• #1817 in General/Blues (See Top 100 General/Blues Bestsellers)

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Personnel: Rusty Zinn (vocals, spoken vocals, guitar, background vocals); Bob Welsh (guitar, Fender Rhodes piano, organ); Wendell Kelly (trumpet); Walter Salwitz (drums); Angila Witherspoon (background vocals).

Audio Mixer: Rusty Zinn.

Recording information: Beach City Studios, San Clemente, CA; Rick's Place, Lake Elsinore, CA; Tiny Telephone, San Francisco, CA.

Editor: Steve Hughes.

Photographer: Jackie McCullough.

Singer/songwriting guitarist Rusty Zinn shifts gears on his fourth album, and first in nearly five years, to become a blue-eyed, red-headed soulman. That's not to say he abandons the jazzy, guitar-slinging West Coast/Texas swinging sound that dominated his first three releases. In fact, the second track, an original called "Treat You Like a Queen," shows that style is still a primary influence. But Zinnfidelity, Vol. 1 highlights Zinn's love of classic '70s-styled R&B, focusing on his soulful vocals and sizzling arrangements that wouldn't have been out of place on Howard Tate's magnificent debut. To that end, he dusts off obscure sides from Tiny Powell ("Get My Hat"), Sammy Taylor ("Ain't That Some Shame"), and Ricky Allen ("Talkin' Bout You"), all songs that should have been hits but were buried on rare 45s. Zinn attacks them with fresh energy, sticking to the original arrangements but injecting youthful enthusiasm and real emotion into the lyrics. A fan of reggae, he goes all Jimmy Cliff on his own "Put Your Hand in Mine," recalling classic Jamaican music with its horn charts, loping beat, and compressed yet rhythmic drum sound. "Zinn Bootyism" takes its title from its blaxpoitation '70s approach -- a cool, sexy, and funky detour sprayed with afro-sheen pseudo-hip urban speak that doesn't really mesh with the rest of the disc, but is a lot of fun. He also shifts into '60s slow-dance mode on the ballad "In Your Dreams" and the closing a cappella doo wop "Love Him or Leave Him." It's an unusual but appropriate way to end an album that marks an exciting new beginning for an established talent who has been overlooked because his previous releases didn't do him justice or adequately demonstrate his range. That has been rectified on this solid and frisky album, which gives Zinn a new lease on life. ~ Hal Horowitz

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