Wall-E (Spanish Version) (DVD) ~ Fred Willard (voice) Cover Art

Wall-E (Spanish Version) (DVD)

Fred Willard (voice), Jeff Garlin (voice) and Andrew Stanton (director)

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Product Description

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Review

Empire, 08/01/2008, 42, 5 stars out of 5 -- "WALL-E is a character of genius, as wondrous an example of the potential of animation as you will ever see."

Rolling Stone, 08/07/2008, p.99, 4 stars out of 4 -- "Animation art at its highest level....You leave WALL-E with a feeling of the rarest kind: that you've just enjoyed a close encounter with an enduring classic."

Los Angeles Times, 06/27/2008, "Pixar's latest is wonderful and full of wonder....Daring and traditional, groundbreaking and familiar, apocalyptic and sentimental, WALL-E gains strengths from embracing contradictions..."

New York Times, 06/27/2008, "WALL-E surely breaks new ground....It is also a disarmingly sweet and simple love story, Chaplinesque in its emotional purity."

USA Today, 06/27/2008, 4 stars out of 4 -- "[E]ngaging and visually stunning....WALL-E is inventive, poignant and funny in its tale of a spunky robot whose name stands for Waste Allocation Load Lifter Earth Class."

Rolling Stone, 01/08/2008, p.116, Ranked #5 in Rolling Stone's 'Movies Of The Year' -- "Director Andrew Stanton and his crew have created a visionary masterpiece."

Chicago Sun-Times, 12/05/2008, "The best science-fiction movie in years....Hugely entertaining, wonderfully well drawn..."

Premiere, 06/26/2008, "Just watching WALL-E putter around earth by himself, crushing trash into neat cubes and listening to his homemade tape of the HELLO, DOLLY! soundtrack is mesmerizing."

Sight and Sound, 08/01/2008, p.81, "[E]xceptionally good. In fact it's one of Pixar's best films....The film's joy, though, is the way WALL-E's situation develops in an organic, lyrical, musical way."

Entertainment Weekly, 07/11/2008, p.48, "[P]uckishly inventive, altogether marvelous....It whisks you to a new world, then makes that world every inch our own." -- Grade: A

Entertainment Weekly, 12/26/2008, Included in Entertainment Weekly's 2008 Films Of The Year -- "Years from now -- yea, unto eternity -- all who love movies will rank WALL-E among the medium's most profound, subtle, sophisticated, and gorgeously inventive specimens, ever."

Release Note

DVD Features:

Widescreen
Audio:
Dolby Digital 5.1 Surround - Spanish

DVD Features:

Full Frame - 1.33
Widescreen - 1.85
Audio:
Dolby Digital 5.1 Surround - Spanish

Product Notes

Even for Pixar, this might be a first: an animated film that contains not only a fully realized world as photorealistic as it is teeming with wonder, but also the Gargantuan themes and visuals of 2001: A SPACE ODYSSEY, the kind of stripped-down sad-clown pathos reserved for classic Buster Keaton comedies, and one of the most moving love stories in a long time. Director Andrew Stanton kicked up the visual acuity of an already-stellar Pixar Studios in 2003 with his reflective, refractive, color-shimmery realization of FINDING NEMO's oceanic world, which genuinely felt as though it spanned the entire earth. Now, with WALL-E, Stanton replaces an estranged journeyer of an apprehensively fishy disposition with a curious and love-struck robotic one, allowing the quest for eternal love to extend from a desolate, dust-covered, palpably polluted future Earth and into an even more mysterious abyss: the far reaches of outer space.

With virtually no dialogue, WALL-E's neatly contained, eerily vaudevillian first act introduces the tragic robot of the title. Whirring amid dilapidated skyscrapers and equally tall compacted trash heaps, he's the last living thing on Earth (aside from a little cockroach friend). WALL-E has developed a tender and inquisitive personality doing what he was built to do--allocate and dispose of human waste--day in and day out for the past 700 years simply because no one turned him off when the human race left the now-hostile planet. Soon though, the directive-oriented automaton Eve comes crashing into WALL-E's life from above, immediately becoming the object of his infatuation. At the drop of a hat, the little guy follows her back into the dangerous unknown, where the sight of two robots gliding through the cosmic ether, dancing via fire-extinguisher propulsion, joins the many memorable moments of a deceptively simple, expansively romantic story.

Even for Pixar, this might be a first: an animated film that contains not only a fully realized world as photorealistic as it is full of wonder, but also the Gargantuan themes and visuals of 2001: A SPACE ODYSSEY, the stripped-down sad-clown pathos found in classic Buster Keaton comedies, and one of the most moving and simply unique love stories in a long time. Director Andrew Stanton kicked up the visual acuity of an already-stellar Pixar Animation Studios in 2003 with a reflective, refractive, color-shimmery realization of the oceanic world of FINDING NEMO, which genuinely felt as though it spanned the entire earth. With WALL-E, Stanton replaces an apprehensively fishy estranged journeyer with a love-struck and curious robotic one, allowing the quest for eternal love to expand from a desolate, dust-covered, palpably polluted future Earth and into an even more mysterious abyss: the far reaches of outer space.

With virtually no dialogue, WALL-E's neatly contained vaudevillian first act eerily and tragically introduces the robot of the title as the last living thing on Earth (aside from a little cockroach friend) amidst dilapidated skyscrapers and equally tall compacted trash heaps. WALL-E has developed a tender and inquisitive personality doing what he was built to do day in and day out for the past 700 years--allocate and dispose of human waste--simply because no one turned him off when the human race left the hostile polluted planet. When the directive-oriented Eve robot comes crashing into his life from above, WALL-E immediately becomes infatuated with her, and is willing to follow her to back into dangerous outer space, where two robots gliding through the ether, dancing via fire-extinguisher propulsion, are among the many memorable and grandly romantic moments of an expansively beautiful, deceptively simple story.

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