Violet (Vinyl)

• Category:  Music  »  Rock & Pop  »  General Rock & Pop
• Format: Vinyl   Learn more about the Vinyl format using Tower WIKI.
• Release Date: June 19, 2007
• Label: Mush Records (USA)
• UPC: 663405125411
• WAPI (Tower ID): 106207717
• Average Customer Review: There are no customer reviews yet. Be the first to write a review!
• Tower.com Sales Rank: #254792 in Music (See Top 100 Music Bestsellers)
• #62760 in Rock & Pop (See Top 100 Rock & Pop Bestsellers)
• #44560 in General Rock & Pop (See Top 100 General Rock & Pop Bestsellers)

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Calling his sophomore album, Violet, "the morning after" a night of "half-awake dreams," Alexander Chen, aka Boy in Static, writes pretty, contemplative songs whose delicate layers of guitars, keys, and strings lull and roll, loop, and reflect upon themselves and life, airy yet thick like fog before dusk, the kind of indie electronica/post-rock atmospheric reflection that artists on Anticon and Chen's current label, Mush, have been perfecting for years. It's music that works to transport as well as to maintain balance, full of slow, drawn-out chords and spacy effects, occasionally breaking into pulsating open-eyed rock riffs (like on the eight-minute closer, "Leave You Blind," for example), but more often content to stay in that delicate space between night and day, where everyday things suddenly seem much more important than they actually are. If anything, that's where Violet goes astray: it tries to take itself a little too seriously, plays its viola riffs a little poignantly. Instrumentally, this actually isn't too much of a distraction. Chen is able to layer and process and compose his parts well enough that they flow well as pieces and are certainly affecting, but don't distract with over-sentimentality. Lyrically, however, Boy in Static isn't quite as successful. Fortunately, the words themselves are often obscured behind the piano and guitar, or the vocal track itself reverberates around the rest of the piece and acts more as another instrument, another musical element more than anything else, but when the actual phrases do come through -- in "Violet" or "Where It Ends," for example -- they're way too dramatic. "I'm still afraid to die without grace," Chen sings in "Without Grace," and even though he comes across as sincere enough, it's teenaged sincerity more than actual mature reflection, as if he's listened to as much Dashboard Confessional as he did Slowdive. This doesn't make Violet any less pretty, any less touching, but these flaws do mean that it will never be able to move from being a nighttime album -- background music -- to something that can be listened to completely. As it stands, it will just have to function as something that fades in and out of consciousness as real life continues on around it. ~ Marisa Brown

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