You don''t have to be part of the emerging postpunk subculture of queer urban girls to relish this smooth ride of a novel, like Kathy Acker on Prozac on a sunny day, in which many exciting things happen without affecting much of anything, and one of the most profound moments is a mild, drug-induced insight into the meaninglessness of life. Michelle, the main character, is a person for whom blue hair is as big a style change as blue pants. She lurches between women, more in love with the idea of love than with Iris or Willa or Gwynne or Petra. Her work experiences are equally brief, although she can''t bring herself to actually quit jobs. She just stops showing up. "Are you going to work?" her current lover asks one morning.
No, I was not going to work. I was an artist, a lover, a lover of women, of the oppressed and downtrodden, a warrior really. I should have been somewhere leading an armed revolution in the name of love and no, I was not going to work. Willa didn''t work. I mean, she did, but it''s a stretch to call it work. She bartended at a dyke bar a few nights a week, drank free beer, and bummed all her cigarettes.... All week she was free, writing angsty brilliant poems, drawing comic books, painting gigantic painful pictures, you know, living. I wanted to live.
Michelle Tea''s characters are a peculiar fin-de-siècle blend of jaded idealists and thoughtful egotists: sex workers, poets, and mad hatters who end up making breakfast for roomfuls of stoned strangers. The occasional flash of clarity doesn''t alter the basically anarchic nature of Tea''s meandering narrative, so much like the tales of an incidental figure from Valencia, a loud redhead named Iggy who told stories "so incredible you wondered if they were true but ultimately didn''t care because you were so enraptured by her grand gestures and re-enactments." --Regina Marler
Valencia is the fast-paced account of one girl''s search for love and high times in the drama-filled dyke world of San Francisco''s Mission District. Michelle Tea records a year lived in a world of girls: there''s knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle''s tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris''s ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart.
If You Enjoy "Valencia (Paperback)", May We Also Recommend:
This is a beautifully written book! Sexy, wild, unconventional and fun. As a
collection of pieces in the life of a renegade lover of life, this book is
wonderful. Comparisons to Jack Kerouacs ON THE ROAD are warranted, and like that
book this reality-based fiction is best enjoyed in small bites. Each chapter can
stand alone. Michelle Tea writes like a jazz musician, with great spontaneity
and energy and passion, and her writing is alive. Like the characters she
portrays, she writes "in the moment." Exciting and heady stuff. Recommended for
alternative & lesbian friendly readers. Also recommend: PERMANENT OBSCURITY by
Richard Perez -- a fun, wild book!
Related Products PERMANENT OBSCURITY by Richard Perez