Urban Hymns (CD) ~ The Verve (Artist) Cover Art

Urban Hymns (CD)

By: The Verve (Artist)


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The Verve Artist Snapshot:

A somewhat snakebit band, often overshadowed by fellow Brit-rockers Oasis and Radiohead, The Verve was responsible for some of the best and most well-crafted rock to come out of England in the 1990s. While the band perfected their pop songwriting as time went on, it never lost its early psychedelic-space-rock edge. On the verge of breaking up in 1996, the band gave it one more go, and came out of the studio with URBAN HYMNS, a million-seller on both sides of the Atlantic, featuring the top 40 hit "Bittersweet Symphony." Unfortunately, that song's snippet of a Rolling Stones cover led to a judgment against them for all profits from the album, which partially led to the band's demise by 1999. After Richard Ashcroft's semi-successful solo career, the band reunited for 2008's FORTH.


Product Description


Track Listing

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DISC 1 for Urban Hymns (CD) Album By The Verve (Artist)
1   Bitter Sweet Symphony
2   Sonnet
3   Rolling People, The
4   Drugs Don't Work, The
5   Catching The Butterfly
6   Neon Wilderness
7   Space And Time
8   Weeping Willow
9   Lucky Man
10   One Day
11   This Time
12   Velvet Morning
13   Come On
 


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Review

Rolling Stone (10/16/97, pp.104-106) - 3.5 Stars (out of 5) - "...their strongest album to date....the songs on URBAN HYMNS are anchored by propulsive guitar rhythms and sinuous, infectious vocals....a breathtaking venture, an ambitious balance of stargazing and worldweary pathos."
Entertainment Weekly (10/10/97, p.92) - "...a surprising--and stunning--comeback from Britain's shoe-gazing shamans the Verve, resurrected after two splintered years. Crooner Richard Ashcroft makes it all sound like churchworthy gospel." - Rating: B+
Q (10/01, p.81) - Ranked #18 in Q's "Best 50 Albums of Q's Lifetime"
Q (12/99, p.92) - Included in Q Magazine's "90 Best Albums Of The 1990s."
Q (1/98, p.115) - Included in Q Magazine's "50 Best Albums of 1997."
Q (6/00, p.69) - Ranked #58 in Q's "100 Greatest British Albums" - "...Rose to national anthem league, an appeal to a post-club generation who now use rock'n'roll as a comedown aid..."
Q (7/00, p.141) - Included in Q's "The Best Male Angst Albums Of All Time"
Uncut (p.108) - "[T]he most striking qualities of URBAN HYMNS now are its musical coherence and the powerfully sustained mood of melancholic stoicism."
Melody Maker (12/20-27/97, pp.66-67) - Ranked #1 on Melody Maker's list of 1997's "Albums Of The Year."
Melody Maker (10/4/97, p.51) - "...An album of unparalleled beauty so intent on grabbing at the strands of music's multi-hued history....all songs which sound like they've lived a little more than most."
Village Voice (2/24/98) - Ranked #18 in the Village Voice's 1997 Pazz & Jop Critics' Poll.
NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #3 in NME's 1997 Critics' Poll.
NME (Magazine) (9/27/97, p.54) - 8 (out of 10) - "....Its sheer magnificence and spirit is such that the danger of it overwhelming anything that follows it is obvious. This, after all, is the musical signature of the year....The Verve's best album to date..."

Title Note

URBAN HYMNS contains a hidden track after "Come On."

The Verve: Richard Ashcroft (vocals, guitar); Simon Tong (guitar, keyboards); Nick McCabe (guitar); Simon Jones (bass); Peter Salisbury (drums).

Additional personnel: Mel Wesson, Paul Taylor (programming).

Producers: Andrew Loog Oldham, Youth, The Verve, Chris Potter.

"Bitter Sweet Symphony" was nominated for the 1999 Grammy Award for Best Rock Performance By A Duo Or A Group With Vocal and Best Rock Song.

On URBAN HYMNS The Verve continues to widen the creative spectrum of psychedelic Britrock. The Verve exhibits a great deal of musical depth as they blanket "Bitter Sweet Symphony" with a full string section, employ acoustic guitars to evoke the simple, Carpenters-ish sentiments of "Sonnet" and "The Drugs Don't Work," and utilize heavily processed guitars on "Weeping Willow." Whether exploring the loud or soft extremes of their dynamic range, the band aspires to classic songwriting, tastefully incorporating retro sensibilities with sweet-sounding hooks that yield a tranquil, pastoral beauty.



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