Up All Night (CD) ~ Razorlight (Artist) Cover Art

Up All Night (CD)

By: Razorlight (Artist)

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Razorlight Artist Snapshot:

One of the more successful bands in the new New Wave of British punky/poppy acts to fill up the U.K. airwaves and charts in the early 2000s, Razorlight distinguished themselves from the pack with their Scandinavian background (the guitarist's name is Bjorn Argen) and a defiant, delightfully egotistical attitude toward the press and the scene. The boys were often criticized for being derivative at best, but the upbeat catchy tunes that they pumped out left fans pleased and wanting more, wholly original or otherwise.

Product Description

Track Listing

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DISC 1 for Up All Night (CD) Album By Razorlight (Artist)
1   Leave Me Alone
2   Rock N Roll Lies
3   Vice
4   Up All Night
5   Which Way Is Out
6   Rip It Up
7   Don't Go Back To Dalston
8   Golden Touch
9   Stumble And Fall
10   In The City
11   To The Sea
12   Fall, Fall, Fall
13   Somewhere Else
 

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Review

Entertainment Weekly (pp.85-7) - "[T]his no-filler debut conjures the wounded majesty of Springsteen and Patti Smith..." - Grade: A-

Title Note

Razorlight: Bjorn Agren, Johnny Borrell (vocals, guitar); Carl Dalemo (vocals, bass guitar); Christian Smith Pancorvo (vocals, drums).

Recording information: Sphere Studios, London, England (2004).

The 2004 debut by London's Razorlight is another addition to the post-Strokes fray of driving, updated garage rock. Stylish, swaggering, and fueled by catchy hooks, chugging bass and drums, and electric guitars that alternately ring and chime, Razorlight has all the trimmings of a successful rock outfit. From the seesaw riff that kicks off "Leave Me Alone" and vocalist/guitarist Johnny Borrell's David Bowie-influenced phrasing, it is clear that Razorlight plans to take the international stage with a classic flourish. And if any doubt remains, the punchy, pop-conscious rave-up "Rock N Roll Lies" should settle the score.

However, UP ALL NIGHT mixes it up a bit, too. The title track is a brisk, melodic ride aided by stinging, upper-register guitar leads. The bouncy vocal delivery of "Which Way Is Out" provides a bit of quirky, rock & roll soul, while "Don't Go Back to Dalston" is a minor-key ditty that builds in intensity. But edgy, energized, raw-throated rockers like "Rip It Up" bring the quartet back to what it does best. UP ALL NIGHT shows this up-and-coming band not only finding its legs, but strutting with them.

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