Unwritten (Import) (CD) ~ Natasha Bedingfield (Artist) Cover Art

Unwritten (Import) (CD)

By: Natasha Bedingfield (Artist)

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Natasha Bedingfield Artist Snapshot:

A soulful and poppy sensation from the U.K., Natasha Bedingfield outdid her older brother Daniel's pop success when her debut album went triple platinum in her homeland, and her single "These Words" became a huge charter in the U.S. Born into a musical family of New Zealand missionaries, Natasha sings with confessional spirit and heartfelt intelligence, and her image is more church-going girl-next-door than a sexy get-low pop-tart.

Product Description

Track Listing

DISC 1 for Unwritten (Import) (CD) Album By Natasha Bedingfield (Artist)
1   These Words - (studio)  
2   Single - (studio)  
3   I¿m A Bomb - (studio)  
4   Unwritten - (studio)  
5   I Bruise Easily - (studio)  
6   If You're Gonna Jump - (studio)  
7   Silent Movie - (studio)  
8   Were All Mad In Our Own Way - (studio)  
9   Frogs & Princes - (studio)  
10   Drop Me In The Middle - (studio)  
11   Wild Horses - (studio)  
12   Sojoun (Hidden Track) - (studio)  
 

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Review

Entertainment Weekly (No. 833, p.74) - "...[T]hink a softer Pink at her peak, grrrly but less steely." - Grade: B plus

Title Note

International version.

Much less dance-oriented than her brother Daniel's records, Natasha Bedingfield's impressive debut album is closer to a UK version of Kelly Clarkson's similarly masterful sophomore release, BREAKAWAY. Although UNWRITTEN unashamedly has its roots in mainstream chart pop--it's only degrees away from the likes of Jessica and Ashlee Simpson--Bedingfield's strong vocals (alternately flirty and commanding) and personal, quirky lyrics turn songs like "Single" and the title track into frothy but substantial gems, while the soaring opener "These Words" could well be the perfect summer single.

Throughout, the production is pleasantly gimmicky, with neat touches like the slide guitar and echoed vocals in the intro of "Silent Movie," and most importantly, the songs don't sound like they've had all the personality focus-grouped out of them in the manner of so many similar records. UNWRITTEN is a startlingly good example of glossy, commercial pop music circa 2005, and a rebuke to those who feel that successful pop records must by definition be irritating fluff.

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