Two (Import) (CD) ~ OCS Cover Art

Two (Import) (CD)

By: OCS


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Product Description


Track Listing

DISC 1 for Two (Import) (CD) Album By OCS
1   So I Guess We Can't Hang Out  
2   Untitled  
3   Untitled  
4   Mike D  
5   Banjo Sold For Rent  
6   Killed Yourself  
7   You Are 16 I Am High  
8   Untitled  
9   608 C  
10   Left Me Dry  
11   Untitled  
12   Intermission  
13   Bisbee (with Chiara G)  
14   Fretting & Fussing  
15   I Would Drown In Regret  
16   Untitled  
17   No Bitches On This Train  
18   Bisbee 2  
19   Untitled  
20   Our Lovesong (Icky Boyfriends)  
21   JPD A Young Man Tells Goldylox  
22   Hidden Track  
 

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Review

The Wire (p.54) - "[F]ull of sharp ideas drenched in an intoxicating distance....[The] surface noise is both an instrument and an atmosphere, creating an enigmatic creepiness."

Product note

OCS: John Dwyer.

Album Description

OCS is a side project for John Dwyer, leader/founder of the San Francisco-based Coachwhips -- and like a lot of side projects, OCS doesn't sound anything like the artist's primary gig. The Coachwhips favor a noisy, distorted, raw, primal and hard-rocking blend of alternative rock, punk and garage rock; they aren't very musical, but despite their limitations, Dwyer's Coachwhips are exhilarating and undeniably infectious. OCS, on the other hand, is a lot more reserved and nuanced; 2 is perhaps best described as an experimental, oddly appealing mixture of folk-rock and avant-garde noise rock. On these recordings -- which were made over a two-year period from 2001-2003 -- Dwyer plays a calm, reflective, even pastoral acoustic guitar that interacts with bizarre collages of dissonant electro-noise. It's almost as if he united the picker school of acoustic folk-rock guitar playing -- that is, musicians like John Fahey, Leo Kottke, Peter Lang and Stefan Grossman -- with the noisemakers of rock's avant-garde (although 2 has its share of vocals and isn't strictly an instrumental album). People in the jazz world like to describe this type of approach as "inside/outside" -- in other words, contrasting something that is conventional with something that is left of center. 2 isn't jazz, although it demonstrates that inside/outside contrasts can also work well if a musician has folk and rock on his mind. Dwyer's experimentation doesn't always pay off on this eccentric album; occasionally, he stumbles and drops the ball. But more often than not, the things that he tries are successful -- and overall, the folk-rock acoustic guitar and the dissonant electro-noise have an odd way of complementing one another. This enjoyably intriguing, if slightly uneven, release makes one hope that Dwyer will have more OCS projects outside of Coachwhips. ~ Alex Henderson


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