Personnel includes: LeeAnn Rimes (vocals); David Campbell (arranger, conductor); Peter Amato, Gregg Pagani (arranger, keyboards, programming); Eric Jackson (acoustic & electric guitars); Corky James (guitar, bass); Gary Leach, Michael Thompson, Michael Landau (guitar); Joel Derouin, Charlie Bisharat, John Wittenberg, Michelle Richards, Peter Kent, Sid Page, Sara Parkins, Susan Chatman (violin); Denyse Buffman, Matt Funes (viola); Larry Corbett, Steve Richards, Rudy Stein, Dan Smith (cello); Stephanie Bennett (harp); Jon Clarke (alto flute, oboe); Joe Meyer (French horn); Abe Laboriel, Leland Sklar (bass); Steve Ferrone, Abe Laboriel, Jr., Vinnie Colaiuta (drums); Brad Dutz (timpani); Luis Conte (percussion); DJ Mega Man (vinyl scratches).
Producers: Desmond Child, Peter Amato, Gregg Pagani.
TWISTED ANGEL shows just how far the newly adult vocalist has come from her teenage-prodigy beginnings. For one thing, she seems determined to leave her country roots far behind. Though she started down the pop route as early as 1997's YOU LIGHT UP MY LIFE, TWISTED ANGEL is completely devoid of any country inflection whatsoever, focusing instead (as have a couple of Rimes's previous efforts, to varying degrees) on modern, often even danceable, pop. Rimes may be closer to Britney Spears than to Kitty Wells these days, but she seems to be expressing more of her inner self. It's surely no coincidence that three of the four songs on which she gets co-writing credit utilize the imagery of the angel with dirty wings, the child star with tears behind the smile. Lyrically, Rimes is clearly exploring the conflicts and contradictions that her childhood fame brought her, which may or may not take her higher up the pop charts, but can only be a positive artistic step for a still-young singer.