Uncut (p.84) - 5 stars out of 5 -- "Adrian Utley proves to be the key player through much of the record....Here his playing is frequently awe-inspiring....THIRD is the most stunning, stark and superb Portishead album yet."
Paste (magazine) (p.52) - "THIRD is far and away the best, most punk thing in the Portishead catalog: a deeply transgressive album that bears a passing similarity to its predecessors but leaves most of the baggage behind..."
Clash (magazine) (p.108) - "Portishead have sidled back to express their tortured collective in more depth than most bands could ever dream off. They have subverted the natural order. Pain was never meant to feel this good."
More than a decade after its self-titled sophomore outing, the pioneering British electronica ensemble Portishead finally resurfaced with 2008's THIRD, an album that both meets and defies expectations. Although the record features many of the group's aural signatures--most notably that exquisitely dark, cinematic mood and Beth Gibbons's heartbreaking vocals--it presents little in the way of vintage trip-hop, proving that sonic masterminds Geoff Barrow and Adrian Utley aren't keen on repeating themselves. "Silence" kicks off the affair with tumbling percussion loops, while "Nylon Smile" drifts along on spare, slinky instrumentation, and "Machine Gun" moves to jarringly martial metrics that are battlefields away from any pop arena. Though THIRD is initially disorienting, repeated listens reveal a deeply engaging and fascinating album that stays true to the melancholy spirit of Portishead even as it wanders into unfamiliar territory.