There's More Where That Came From (CD) ~ Lee Ann Womack (Artist) Cover Art

There's More Where That Came From (CD)

By: Lee Ann Womack (Artist)

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Product Description

Track Listing

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DISC 1 for There's More Where That Came From (CD) Album By Lee Ann Womack (Artist)
1   There's More Where That Came From
2   One's A Couple
3   I May Hate Myself In The Morning
4   Last Time, The
5   He Oughta Know That By Now
6   Twenty Years And Two Husbands Ago
7   Happiness
8   When You Get To Me
9   Painless
10   What I Miss About Heaven
11   Waiting For The Sun To Shine
12   Stubborn (Psalm 151)
 

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Review

Rolling Stone (No. 968, p.74) - 3 stars out of 5 - "[B]anks on bittersweet ballads that Womack makes her own..."
Entertainment Weekly (No. 806, p.64) - "[S]plits the difference between DUSTY IN MEMPHIS and Dolly in Nashville..." - Grade: B+
Mojo (Publisher) (p.114) - 3 stars out of 5 - "Womack reinvents herself as a woman whose make-up can't hide the worry lines and is seeking her final fill of good times..."

Title Note

Personnel include: Lee Ann Womack (vocals); Bryan Sutton (acoustic guitar, 12-string guitar, banjo); Randy Scruggs, B. James Lowry (acoustic guitar); Brent Mason (electric guitar, gut-string guitar); Tom Bukovac (electric guitar); Paul Franklin (steel guitar, dobro); Stuart Duncan (mandolin); Larry Franklin, Aubrey Haynie (fiddle); Jellyroll Johnson (harmonica); Steve Nathan (piano, Wurlitzer piano, synthesizer); Glenn Worf, Michael Rhodes (bass guitar); Shannon Forest (drums, percussion); Eric Darken (percussion); Harry Stinson, Lisa Cochran, Wes Hightower, Bill Luther, Chris Rodriguez (background vocals).

Recording information: Ocean Way, Nashville, Tennessee; Blackbird Studios, Nashville, Tennessee.

Though Lee Ann Womack's voice has always betrayed the influence of 1960s and '70s country music, prior to THERE'S MORE WHERE THAT CAME FROM, her albums often concentrated on sophisticated Nashville pop-country. The vintage-style soft-focus cover photo and faux record dust jacket here, however, immediately signal a change of direction.

From the opening honky-tonk fiddle notes of the title track, it's clear that this disc is a conscious nod to the spirit of classics by Dolly Parton, Tammy Wynette, and Loretta Lynn. Throughout the album, Womack's expressive vocals are backed by careening steel guitars and sweet piano licks, which seem to flow straight from the spirit hands of the late Nashville great Floyd Cramer. Though many of these songs deal with contemporary subject matter, they are treated with a gravity that is purely old-fashioned. "I May Hate Myself in the Morning" and "Twenty Years and Two Husbands Ago" take stark and honest looks at life's less glamorous moments in an unflinching manner that lesser artists might avoid. "Happiness" is a gritty, archetypal song of the sort favored by Randy Travis, and the tune compares the search for its elusive subject to a never-ending road trip. With its charming retro vibe and strong songs, THERE'S MORE WHERE THAT CAME FROM stands as one of Womack's finest albums.

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