Rolling Stone (p.126) - 4 stars out of 4 -- "[O]ne of the best albums Beck has ever made....Dense in its rhyme games, rhythmic details and overdub antics."
Rolling Stone (p.105) - Ranked #24 in Rolling Stone's "The Top 50 Albums Of 2006" -- "[T]here is a moving clarity to Beck's cleverness..."
Spin (p.97) - 3.5 stars out of 5 -- "Beck's twitchy pop-funk has rarely come across as this confident. Consider THE INFORMATION his reanimation."
Spin (p.61) - Ranked #10 in Spin's "The 40 Best Albums of 2006" -- "[A] talking-points primer on just about every phase of his career..."
Entertainment Weekly (p.68) - "[A] swarming, psychedelic set...It's a sonic tour de force, and Beck seems comfortable in the info-storm..." -- Grade: A-
Q (p.138) - 3 stars out of 5 -- "[A]n other-worldly, psychedelic hip hop mix..."
Alternative Press (p.198) - "[T]his collision of dirty loops and polished pop is INFORMATION you need."
Mojo (Publisher) (p.100) - 3 stars out of 5 -- "[I]t's nice to hear the first half of this album continues in na earthy, upbeat and funk vein..."
Personnel: DJ Z-Trip, David Campbell, Greg Kurstin, Harvey Mason, James Gadson, Jason Falkner, Joey Waronker, Justin Stanley, Alex Acuna, Nigel Godrich, Roger Manning Jr., Sean Davis, Smokey Hormel, Steve Black, Justin Meldal-Johnsen, Brian Lebarton.
Recording information: Ocean Way, Hollywood, California (2006).
Over a decade of criss-crossing genres makes it easy to forget that Beck's first big hit was, essentially, a rap song. It's not surprising, then, that about half of the songs on 2006's THE INFORMATION are some shade of hip-hop dance-floor funk. And while no one's going to mistake Beck for Young Buck, he brings his own brand of intelligent, laid-back confidence to every track, from the stuttering brilliance of "1000 BPM" to the lolling funk of "Elevator Music" to the lo-fi breakbeat grooves of "Cellphone's Dead" to the 10 minutes of atmospheric chill-out that close the album.
But the presence of Nigel Godrich--who produced both the most beloved (MUTATIONS) and underrated (SEA CHANGES) of Beck's albums--insures that this isn't going to be a one-note affair. Godrich shapes the more pop-leaning songs into low-gloss gems, exercising both imagination and restraint: the intensity of "New Round" comes not from big, fancy production but from multiple layers of the same insistent vocal line. "Think I'm in Love" is a sticky little garage-rocker with a hyper bass line, while "Strange Apparition" is a bit of Laurel Canyon folk-rock amidst all the funk & crunk. It's reassuring to know that on his seventh full-length album, neither Beck nor his best collaborator have run out of fresh ideas.