Ten (CD)

• Category:  Music  »  Rock & Pop  »  Grunge
• Format: CD   Learn more about the CD format using Tower WIKI.
• Release Date: August 27, 1991
• Label: Epic Associated
• UPC: 074644785722
• WAPI (Tower ID): 106055995
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• Tower.com Sales Rank: #1305 in Music (See Top 100 Music Bestsellers)
• #550 in Rock & Pop (See Top 100 Rock & Pop Bestsellers)
• #3 in Grunge (See Top 100 Grunge Bestsellers)

•  [Official Pearl Jam Band Sitethis link opens a new window] 
  
•  [Pearl Jam - Official Myspacethis link opens a new window] 
  
•  [Pearl Jam - Wikipedia Entrythis link opens a new window] 
  
•  [Pearl Jam - Music at LAST.fmthis link opens a new window] 
  
•  [Pearl Jam - Lyrics at Lyrics.comthis link opens a new window] 
  

Spin (9/99, p.136) - Ranked #32 in Spin Magazine's "90 Greatest Albums of the '90s."
Spin (1/93) - Ranked #15 in Spin's list of the 20 Best Albums Of 1991.
Q (12/99, p.74) - Included in Q Magazine's "90 Best Albums Of The 1990s."
Q (1/93, p.73) - Included in Q's list of the 50 Best Albums Of 1992.
Q (3/92, p.79) - 4 Stars - Excellent - "...a raucous modern rock, spiked with infectious guitar motifs and powered with driving bass and drums...may well be the face of the 90's metal..."
Village Voice (3/2/93, p.5) - Ranked #34 in the Village Voice's list of the 40 Best Albums Of 1992.
Stereo Review (1/92, p.80) - Performance "Challenging" / Recording "Good" - "...the band sounds larger than life, producing a towering inferno of roaring guitars, monumental bass and drums, and from-the-gut vocals...the tunes here surge, ebb, and surge again..."
Kerrang (Magazine) (p.51) - "[T]hese songs are as touching today as the day they came out..."

Pearl Jam: Eddie Vedder (vocals); Mike McCreedy, Stone Gossard (guitar); Jeff Ament (bass); Dave Krusen (drums).

Additional personnel: Walter Gray (cello); Rick Parashar (piano, organ, percussion).

Engineers: Dave Hills, Don Gilmore, Adrian Moore.

Recorded at London Bridge Studios, Seattle, Washington from March to April, 1991.

TEN, Pearl Jam's debut album, was released less than a month before Nirvana's NEVERMIND, and although it took longer to climb the pop charts it also hung around longer, eventually outselling its Seattle rival. Together, the two albums reinvigorated rock and roll, whose share of the pop marketplace had been slipping through the late 1980s. But while Nirvana's bruising punk rock was an all-out assault on the classic-rock dinosaur, Pearl Jam's accomplished hard rock was an attack from within the system.

The drawn-out, bluesy guitar riffing and anthemic choruses that dominated TEN instantly gave away roots in the same popular hard rock and heavy metal that Nirvana was intent on crushing. Indeed, before forming Pearl Jam, guitarist Stone Gossard and bassist Jeff Ament (who between them wrote most of the music on TEN) were the core of two '70s-influenced metal bands, Green River and Mother Love Bone. But in place of the self-aggrandizing, larger-than-life singers that led most such bands, Gossard and Ament found Eddie Vedder, a ravage-voiced vocalist more apt to identify with the abused and misunderstood children he was singing about than with any other rock stars. When he exploded into one of TEN's many memorable choruses, Vedder offered transcendence for the people who needed it most.

The storyline of the album's breakthrough single, "Jeremy," was typically vague and elusive (despite a highly suggestive video), but the message was not. The meek and the misunderstood, Pearl Jam seemed to be saying, would rise and inherit the world, even if it was only a world of their own invention.

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