New York Times, 11/08/2000, p.E5, "...[Zhou Xun is] stunning....SUZHOU RIVER offers [a] captivating atmosphere..."
Sight and Sound, 12/01/2000, p.38-56, "...A seductive and atmospheric conundrum that works pleasingly as an exercise in storytelling..."
Total Film, 12/01/2000, p.105, "...Classily played and poetic, in its imagery of back-alley Shanghai and daring story-telling, SHUZHOU RIVER is a fine testimony to the vigour of China's younger generation of filmmakers..."
Los Angeles Times, 11/10/2000, p.C14, "...An assured exercise in high cinematic style....Alive and dramatic....With its jump cuts, jazzy camera work and an intricate storytelling style that never stops to catch its breath, SUZHOU RIVER exults in visual razzle-dazzle..."
Title Note
Theatrical release: November 8, 2000.
The Suzhou River runs through the center of Shanghai. It was built during the Ming dynasty (1368-1644) with the purpose of being an industrial transport waterway used to spread China's trade goods around the country.
The Suzhou River is heavily polluted and is considered toxic: those who fall in do not fare well.
In the film, Moudan jumps from a bridge into the water of the Suzhou River. The river has over 20 bridges, the most popular of which is the centrally located Waibaidu Bridge which the British constructed in 1907.
Director Ye Lou got the idea for SUZHOU RIVER in 1997 while working on a project for television called the Super City project. He recruited six talented young filmmakers--mostly graduates of the Beijing Film Academy who had made at least one feature film--and asked them to do whatever they wanted for commercials, soap operas, any form of t.v. The project was successful, the Super City project expanded, and now over 40 young film directors are involved in making work for television (mostly because it is a nice source of supplemental income.)
Matt Zoller Seitz of the New York Press named SUZHOU RIVER one of the 10 best films of 2000.
Release Note
DVD Features:
Region 1 Keep Case Full Frame - 1.33:1
Product Notes
With SUZHOU RIVER, director Lou Ye has created an intense, jerky visual and narrative style that captivates viewers and pulls them into the mystery of the film's dreamy, alluring tale of love and mistaken identities. The narrator--the voice behind the camera (literally) who occasionally sticks his hand out in front of the lens to spraypaint a stencil on the side of a building or pick up a drink from the bar--guides the viewer along the banks of the heavily polluted and industrialized Suzhou River, which winds precariously through Shanghia, setting the scene for the major action of the film's plot. Back in his apartment, he tells the sad story of Marda (Jia Hongshen), a bicycle messenger who falls madly in love with a young girl named Moudan (Zhou Xun). Marda becomes entangled with a messy crime gang that forces him to kidnap Moudan and demand ransom money from her rich father. Moudan escapes from him before he receives the money and jumps into the poisonous river, promising that one day she'll return as a mermaid. Marda serves a three-year jail sentence for his crime, wracked with grief about causing Moudan's supposed death. Upon his release, he walks into a nightclub and sees a woman performing an underwater mermaid act in a tank. She looks exactly like Moudan, but she is named MeiMei (also played by Zhou). Coincidentally, MeiMei is dating the cameraman-narrator, bringing the plot full circle. An enticingly surreal film that is successful primarily for its narrative twists, SUZHOU RIVER shares many thematic elements with Alfred Hitchcock's VERTIGO.
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