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We write the stories we wish we could read. There''s no other reason to do it, to spend years pacing around your basement, mumbling, pecking at a keyboard, turning your back on a world that offers such a feast of delicious fruits. The Story of Edgar Sawtelle came about because some time ago I wished I could read a novel about a boy and his dog, one that integrated our contemporary knowledge of canine behavior, cognition, and origins with my experience of living with dogs; if possible, something flavored with the uncynical Midwestern sense of heart and purpose so familiar from my childhood (and something which, in truth, I''ve spent much my adult life being slightly ashamed of, as if either heart or purpose were embarrassing attributes for a grown-up to display). I''d recently come to know a good dog, maybe the best dog I''d ever met, and the subject of people and dogs and ethics and character suddenly seemed urgent. But when I went looking for such a story, I had to go back almost a hundred years, back to Jack London''s Call of the Wild. That was a surprise. A little while after that, an idea for a story came to me--not the whole thing, but enough to start. 























