Stop The Panic (CD) ~ B.J. Cole (Artist) and Luke Vi... Cover Art

Stop the Panic (CD)

By: B.J. Cole (Artist) and Luke Vibert (Artist)


Current Price: $108.98

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Luke Vibert Artist Snapshot:

Part of the first generation of U.K. bedroom techno experimentalists (Aphex Twin, U-Ziq, and Squarepusher, were others), Cornwall-based DJ/producer Luke Vibert was first attracted to the possibilities of solo electronica as a drummer for short-lived Beastie Boys copiers the Hate Brothers. Swept up in the tide of post-Second Summer of Love U.K. dance music, Vibert, along with friend Jeremy Simmonds, released the cult techno album WIERS (1993) for the fledgling Rephlex label. Reflecting an increasingly heterogeneous approach to production, Vibert adopted several monikers during the mid-`90s electronica boom, each reflecting his idiosyncratic approach to typically hidebound genres such as drum & bass (Plug), trip-hop (Wagon Christ), and electro-house (Kerrier District).


Track Listing

 
 
DISC 1 for Stop the Panic (CD) Album By B.J. Cole (Artist) and Luke Vi...
1   Intro
2   Swing Life-Alright
3   Dishorozilla
4   Start The Panic
5   Hipalong Hop
6   Fly Hawaii
7   This Stuff Is Fresh
8   Cheng Phooey
9   Baby Steps
10   Party Animal
11   Nice Cave
12   Watery Glass Planet (Pt.3)

Product Description


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Album Description

Electronic release featuring Luke Vibert (Wagonchrist, Plug)who has mixed for Nine Inch Nails, Howie B, Moloko and Meat Beat Manifesto and legendary guitarist BJ Cole who's worked with Marc Bolan, Scott Walker, John Cale, Bjork, The Verve, Spritualized (he gets around) etc. An inventive and light-hearted collection of 13 tracks taking influence from Hawaiian, hip-hop, country, drum & bass, you name it. 2000 release. Standard jewel case.

Product Notes

Luke Vibert of Wagon Christ fame teams here with session pedal-steel guitar player and electronic music collaborator BJ Cole for a mellow trip-hop and light drum & bass extravaganza. Closer in spirit to the minimalist leanings he's alluded to in early Wagon Christ incarnations, Vibert leans ever so slightly away from the dense experimentalism of fellow reclusive bedroom DJs such as Aphex Twin's Richard James or Mike Paradinas (a.k.a. Mu-Ziq, who Vibert is often compared to). This record is cheeky, even silly at times, casually projecting a tossed-off energy that's entertaining as well as engrossing. Cole's guitar lends the record a lazy drawl, mixing sliding, countrified guitar riffs with Vibert's tuneful turntablist imagination. Still, the record has another gear to shift into, as typified by slippery, tempo-shifting tracks such as "Watery Glass Planet (Pt. 3)." --Matthew Cooke



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