St. Elsewhere (Special Edition/+DVD) (Import) (CD) ~ Gnarls Bark... Cover Art

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St. Elsewhere (Special Edition/+DVD) (Import) (CD)

By: Gnarls Barkley (Artist)
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Product Description
Track Listing
DISC 1 for St. Elsewhere (Special Edition/+DVD) (Import) (CD) Album By Gnarls Barkley (Artist)
1   Go Go Gadget Gospel  
2   Crazy  
3   St Elsewhere  
4   Gone Daddy Gone  
5   Smiley Faces  
6   Boogie Monster  
7   Feng Shui  
8   Just A Thought  
9   Transformer  
10   Who Cares  
11   Online  
12   Necromancer  
13   Storm Coming  
14   Last Time  
 
DISC 2 for St. Elsewhere (Special Edition/+DVD) (Import) (CD) Album By Gnarls Barkley (Artist)
1   Crazy (video/DVD)  
2   Gone Daddy Gone (video/DVD)  
3   Smiley Faces (video/DVD)  
4   Go Go Gadget Gospel (video/DVD)  
5   Crazy (live on T4/DVD)  
6   Smiley Faces (live on T4/DVD)  
7   Who Cares (live on T4/DVD)  
8   Gone Daddy Gone (live on T4/DVD)  
9   Crazy (Top Of The Pops version/DVD)  
10   Gone Daddy Gone (Later With Jools Holland version/DVD)  
 
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Product note

Gnarls Barkley--a collaboration between hip-hop/soul crooner and Goodie Mob founder Cee-Lo and DJ/mash-up kingpin Danger Mouse--sounds like it came from another planet; or what inhabitants of another planet might make of the elemental sounds of 21st-century pop music. Classically soulful R&B vocals, smart hip-hop/electronica beats and samples, and infectious hit-making melodies all serve to make the basic musical template familiar enough, but even a passing listen to the first single, "Crazy" (an Al Green-meets-Outkast groover that was a pre-release smash in the U.K. via downloads alone), illustrates that these fellas are definitely traveling some alternate spaceways.
But if the warped summer jam "Who Cares" or the unsettling big-beat-cum-folkly suicide dirge "Just A Thought" isn't proof enough of the duo's extra-terrestrial originality, then check out the frenetic, almost sleazy, bubblegum-electro take on the Violent Femmes' "Gone Daddy Gone." (Um...say what) Like the entire album itself, it's a bizarre, unexpectedly brilliant reconfiguration of what was once simply called pop music. Who knows what to call it now

Title Note

Gnarls Barkley--a collaboration between hip-hop/soul crooner and Goodie Mob founder Cee-Lo and DJ/mash-up kingpin Danger Mouse--sounds like it came from another planet, or what inhabitants of another planet might make of the elemental sounds of 21st-century pop music. Classically soulful R&B vocals, smart hip-hop/electronica beats and samples, and infectious hit-making melodies all serve to make the basic musical template familiar enough, but even a passing listen to the first single, "Crazy" (an Al Green-meets-Outkast groover that was a pre-release smash in the U.K. via downloads alone), illustrates that these fellas are definitely traveling some alternate spaceways.

But if the warped summer jam "Who Cares" or the unsettling big-beat-cum-folkly suicide dirge "Just A Thought" isn't proof enough of the duo's extraterrestrial originality, then check out the frenetic, almost sleazy, bubblegum-electro take on the Violent Femmes' "Gone Daddy Gone." (Um...say what?) Like the entire album itself, it's a bizarre, unexpectedly brilliant reconfiguration of what was once simply called pop music. Who knows what to call it now?

Album Description

Gnarls Barkley--a collaboration between hip-hop/soul crooner and Goodie Mob founder Cee-Lo and DJ/mash-up kingpin Danger Mouse--sounds like it came from another planet, or what inhabitants of another planet might make of the elemental sounds of 21st-century pop music. Classically soulful R&B vocals, smart hip-hop/electronica beats and samples, and infectious hit-making melodies all serve to make the basic musical template familiar enough, but even a passing listen to the first single, "Crazy" (an Al Green-meets-Outkast groover that was a pre-release smash in the U.K. via downloads alone), illustrates that these fellas are definitely traveling some alternate spaceways.
But if the warped summer jam "Who Cares" or the unsettling big-beat-cum-folkly suicide dirge "Just A Thought" isn't proof enough of the duo's extraterrestrial originality, then check out the frenetic, almost sleazy, bubblegum-electro take on the Violent Femmes' "Gone Daddy Gone." (Um...say what?) Like the entire album itself, it's a bizarre, unexpectedly brilliant reconfiguration of what was once simply called pop music. Who knows what to call it now?

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