Soul Murder (CD) ~ Barry Adamson (Artist) Cover Art

Soul Murder (CD)

By: Barry Adamson (Artist)

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Product Description

Track Listing

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DISC 1 for Soul Murder (CD) Album By Barry Adamson (Artist)
1   Preface
2   Split
3   Violation Of Expectation, The
4   Suspicion
5   Gentle Man Of Colour, A
6   Trance Of Hatred
7   Checkpoint Charlie
8   Reverie
9   Un Petit Miracle
10   007, A Phantasy Bond Theme
11   Adamson Family, The
12   Cool Green World
13   On The Edge Of Atonement
14   Epilogue
 

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Review

Alternative Press (9/93, p.62) - "...Adamson continues [his] surreal meanderings through a B-movie whodunnit...outside of his own back catalog, there is little -- if anything -- to relate SOUL MURDER to; whether or not that's a flaw depends on how much you enjoy taking chances..."
Mojo (Publisher) (p.130) - "Adamson assembled a string and horn section and a gospel choir for a dark-hearted sequel....SOUL MURDER almost reaches a state of grace on the beautiful gospel 'On The Edge Of Atonement'..."

Title Note

Personnel: Barry Adamson (keyboards); Deloray Campbell, Anne Berland, Caron Richards, Peter Francis, Patricia Knight, Sarah Brown (vocals); Kevin Armstrong (guitar); Chris Tombling, Clive Dobbins, Jonathan Carney (violin); Lynne Baker (viola); Anne Lines, Audrey Riley (cello); Billy McGee (strings); Pete Whyman (alto saxophone, tenor saxophone); Malcolm Baxter, Enrico Tomasso, Steve Shaw (trumpet); Phil Brown (bass trombone).

Audio Mixer: Paul Kendall.

Recording information: Church Studios, Crouch End, London, England; Kore Studios, London, England; WorldWide Studios, London, England.

Unknown Contributor Role: Gerard.

Arranger: Barry Adamson.

Equally as ambitious as Moss Side Story, but this doesn't come off nearly as well. Apparently constructed to evoke similar underworld soundscapes, too much of this is built around simple, sparse (sometimes electronic) riffs. The production lacks force and density, and the pieces don't flow into each other with the cohesion that he's demonstrated in other work. Nifty bits of haunting orchestral ambience and lounge jazz keyboards remain, and it does hit a groove at times, especially with the goofy French pop song (with childish vocals) "Un Petit Miracle" and the brutal ska treatment of the James Bond theme. ~ Richie Unterberger

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