Slade Stomp (CD) ~ Beppe Gambetta (Music Performe... Cover Art

Slade Stomp (CD)

By: Beppe Gambetta (Music Performer), David Grisman (Music Performer) and Gram Parsons (Music Performer)


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Product Description


Track Listing

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DISC 1 for Slade Stomp (CD) Album By Beppe Gambetta (Music Performe...
1   Hunterdon Bolero
2   Ave Maria
3   I'm Worried Now / Texas Gales / Doc's Guitar
4   Slade Stomp
5   Suite Di Polke E Quadriglie
6   Hard Travelin'
7   Gentleman Charlie
8   Dixie Breakdown
9   1000 Flatpickers At The Court Of King Norman
10   Hills Of Tara
11   Painting The Clouds With Sunshine - (live, bonus track)
12   Why You Been Gone So Long - (live, bonus track)
 

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Review

Dirty Linen (p.76) - "He offers music, both original and covers, in tribute to the musicians who influence him....He proves himself an adept singer of folk song on several tracks..."

Title Note

Italian flatpicking guitarist Beppe Gambetta's second album for Gadfly Records is a collection of tracks, many of them Gambetta originals, dedicated to other flatpickers he admires. Thus, Don Reno's "Dixie Breakdown" is earmarked "to Mark O'Connor," and Gambetta's own "1000 Flatpickers at the Court of King Norman" is "to Norman Blake." As that song title implies, Gambetta never feels restricted to a single guitar line; the album is heavily overdubbed with multiple passes, all by Gambetta until the end. Most of the disc is instrumental, though Gambetta does step in to sing occasionally, notably on Woody Guthrie's "Hard Travelin'," demonstrating that his mastery of rural English has improved despite a slight Italian accent. He concludes the disc with a couple of live performances, joined by friends: "Painting the Clouds with Sunshine" ("to Eddie Lang") is a collaboration with mandolinist David Grisman, and "Why You Been Gone So Long" features Gene Parsons on banjo and Martino Coppo on mandolin. The tribute theme of the album is something of a gimmick, but it does provide a structure for Gambetta to hang some of his own characteristically fast and fluid playing on. ~ William Ruhlmann



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