The Sky's Gone Out (CD) ~ Bauhaus (Artist) Cover Art

The Sky's Gone Out (CD)

By: Bauhaus (Artist)

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Bauhaus Artist Snapshot:

Ultimately, Bauhaus became known as the godfathers of the goth scene, but their brief, prolific career (1979-1983) showed far more stylistic variation than their progeny might suggest. They mixed Bowie/Eno-influenced postpunk with dub, electronics, and a moody sense of songcraft that was both unnerving and infectious. After the group's breakup, singer Peter Murphy went on to a solo career, while guitarist David J formed the considerably poppier Love And Rockets. From 1998 on, the band would occasionally re-form for concert tours.

Product Description

Track Listing

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DISC 1 for The Sky's Gone Out (CD) Album By Bauhaus (Artist)
1   Third Uncle
2   Silent Hedges
3   In The Night
4   Swing The Heartache
5   Spirit
6   Three Shadows Part 1, The
7   Three Shadows Part 2, The
8   Three Shadows Part 3, The
9   All We Ever Wanted Was Everything
10   Exquisite Corpse
 

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Review

Alternative Press (11/01, p.104) - Included in AP's "10 Essential Goth Albums" - "...A towering slab of shimmering pretension..."
Record Collector (magazine) (p.106) - 3 stars out of 5 -- "[With] some excellent moments, including the Eno cover, 'Third Uncle,' and 'Spirit,' which finds the band on top form."

Title Note

Bauhaus: Daniel Ash (vocals, guitar); David J. (vocals, bass); Peter Murphy (vocals); Kevin Haskins (drums).

Principally recorded at Rockfield Studios, England.

1982's THE SKY'S GONE OUT marks a stylistic midpoint in Bauhaus brief but spectacular career. The group released its first single in 1979 and disbanded in mid-1983. In comparison with their earlier, almost impenetrably convoluted literary references and effectively murky production, this album is lyrically more direct, musically more straightforward, and features vastly cleaner production. The first of these changes is exemplified in the album's second track, "Silent Hedges," with its "Going to hell again" chorus and in the bitter "All we ever wanted was everything, all we ever got was cold" from "All We Ever Wanted Was Everything."

Daniel Ash's guitar work has finally become part of the structure of the songs as opposed to an ornamental splash used for emphasis. The music is less harsh--almost inviting the listener in before the slicing lyrics drop like poised blades. Production-wise, the sound is no longer as cacophonously dense. Such tracks as "Spirit" feature dueling guitars, rumbling drums, and a harpsichord, all clearly separated--at least until the intentional crush of the song's end. The CD appends bonus tracks from several singles, including a reverent treatment of David Bowie's "Ziggy Stardust."

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