Simple Things (CD)

Straddling the line between pop and new age, Jim Brickman's mellow piano compositions evoke romance, hope, and quiet inspiration. Brickman first made his name in the mid-1990s as a Windham Hill artist--one of the few solo instrumentalists to have scored a Billboard hit--and branched out from there with some pop and country collaborations, Christmas recordings, and an album of classic Disney covers. By 2000 he had adopted the musical persona of the suave but menschy romantic that, coupled with his clean-cut good looks, earned him an adoring female audience. Brickman split with Windham Hill in 2005, but continues to own the Adult Contemporary charts.

• Category:  Music  »  Instrumental Music  »  Piano
• Format: CD   Learn more about the CD format using Tower WIKI.
• Release Date: September 25, 2001
• Label: Windham Hill Records
• UPC: 019341158929
• WAPI (Tower ID): 106640116
• Average Customer Review: There are no customer reviews yet. Be the first to write a review!
• Tower.com Sales Rank: #42624 in Music (See Top 100 Music Bestsellers)
• #220 in Instrumental Music (See Top 100 Instrumental Music Bestsellers)
• #66 in Piano (See Top 100 Piano Bestsellers)

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Genuinely moving at times, a bit sentimental at others, pianist Jim Brickman's seventh career release is ultimately a worthwhile, satisfying package. Adhering to the simplicity theme, Brickman front-loads the disc with 10 melodic, nonvocal tracks (a gracious nod to longtime fans), then tacks on a trio of vocal selections. Even instrumental hard-liners, though, should indulge in the disc's fetching title track. Penned with Beth Neilsen Chapman and sung sweetly by fresh country talent Rebecca Lynn Howard), it's a sparkling reaffirmation of Brickman's substantial pop songwriting skills. Those looking for deeper rewards will find them on "The Promise," a beautiful, reflective work that ranks among Brickman's finest compositions: the spare orchestrations (random violin, guitar, electronics) in the first nine pieces that focus the disc's emotional directness on Brickman's piano; the urbane grooves that energize "Serenade." Occasionally ("Catching Twilight," "Gate 41"), Brickman takes aim at easier emotional targets, playing more notes (with more force) than seems necessary, plus the heart-clutching "A Mother's Day" seems out of place here. But these are minor blemishes. Overall, it's an engaging recording. --Terry Wood

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