The Shining (Import) (CD) ~ J Dilla (Artist) Cover Art

The Shining (Import) (CD)

By: J Dilla (Artist)


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J Dilla Artist Snapshot:

Though he kept a relatively low profile in comparison to his less diffident producer contemporaries, J Dilla (born James Dewitt Yancey) confirmed that in hip-hop, substance above flourish will confidently withstand the test of time. Emerging from Detroit's thriving mid-`90s underground hip-hop scene, Dilla initially took the role of emcee for local rap ensemble Slum Village. His first forays into beat-making came under the tutelage of area musician Amp Fiddler, who lent the aspiring producer an MPC sampling drum machine. By the end of the decade, Dilla's deft production hand--both as Slum Village's beatsmith/emcee and as part of the Ummah collective (which counted Q-Tip and Raphael Saddiq as members)--was being sought by important players in both R&B and hip-hop. Though Slum Village's major label debut was shelved by A&M in 1998, Dilla's profile was raised tremendously in the coming decade through his work with artists like Common, Erykah Badu, and Busta Rhymes. In the new millennium, the producer enjoyed a fruitful solo career and continued collaborations, but eventually succumbed to complications brought on by a rare blood disease in 2006.


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Review

Rolling Stone (p.90) - 3.5 stars out of 5 -- "[L]ush and layered: 'So Far to Go' could be a classic soul ballad....Dilla uses background hiss, vocal effects and the stark, hushed movie clips to inject a sense of foreboding."
Spin (p.103) - 3 stars out of 5 -- "[The] album sports the trademark soul loops, crackling drums, and underwater ambience of his best past work..."
Spin (p.57) - Ranked #35 in Spin's "The 40 Best Albums of 2006" -- "[I]t's a remarkably cohesive, entrancing farewell."
Entertainment Weekly (p.87) - "His warm, intimate style is highlighted throughout, especially on 'So Far To Go,' a gorgeous ballad featuring floating coos from fellow enigmatic genius D'Angelo." -- Grade: A-
The Wire (p.55) - "[T]he most astonishing thing about THE SHINING isn't so much its bright and celebratory tone as its modesty....Its elegiac tone is profoundly affecting and you can feel the silence when the music stops."
CMJ (p.6) - "THE SHINING's live instrumentation lends a relaxed R&B lilt that accentuates the human warmth Yancey brought to every project."
Vibe (p.138) - "His scattered styles are woven together seamlessly....SHINING brims with clear-cut and fully resolved ideas."
XXL (Magazine) (p.176) - "[The album] commemorates his musical genius by juxtaposing lush loops with formidable flows."

Title Note

Black Thought, Common, Madlib, Busta Rhymes, and Pharoahe Monch all make appearances on beloved producer J Dilla's (a.k.a. Jay Dee a.k.a. James Yancy) posthumous release, THE SHINING. Don't get it twisted, though: despite the thick guest list, Dilla is the star on every track, with MCs playing hype-man while his production wizardry rocks the party. Every song is a testament to the late Mr. Yancy's extraordinary talents, with hard chunky beats and occasional samples from the titular film blending into softer electro and Nu Jazz. THE SHINING is a triumph but also a bittersweet reminder that not only hip-hop but music as a whole has lost a true artist.


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