Seduction: The Society Collection (Import) (CD) ~ Danse Society ... Cover Art

Seduction: The Society Collection (Import) (CD)

By: Danse Society (Artist)


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Product Description


Track Listing

DISC 1 for Seduction: The Society Collection (Import) (CD) Album By Danse Society (Artist)
1   Clock - (studio)  
2   Continent - (studio)  
3   These Frayed Edges - (studio)  
4   We're So Happy - (studio)  
5   Woman's Own - (studio)  
6   Belief - (studio)  
7   Ambition - (studio)  
8   Godsend - (studio)  
9   My Heart - (studio)  
10   Falling Apart - (studio)  
11   Danse/ Move - (studio)  
12   In Heaven - (studio)  
13   Somewhere - (studio)  
14   Hide - (studio)  
 


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Title Note

Seduction: The Society Collection (not to be confused with its 1982 Seduction release) concentrates on its early-'80s recordings for the Society label. These, keyboardist Lyndon Scarfe intimates his liner notes, were their best and most indie-oriented. It's not as rich in texture and other qualities as the most renowned goth of the era, and not as tuneless as the worst of it; it's somewhere in between. The group could have used more melody and diversity to more effectively convey its messages of angst and scarred modern landscapes -- an observation, true, that could apply to many acts working this territory. Some imaginative synthesizer lines and a few just-about-danceable beats are of some worth. But it's too droning and unvariegated to make a significant mark, and hard to distinguish from much other post-punk murk since the early '80s that has leaned on similar attributes. ~ Richie Unterberger

Album Description

Seduction: The Society Collection (not to be confused with its 1982 Seduction release) concentrates on its early-'80s recordings for the Society label. These, keyboardist Lyndon Scarfe intimates his liner notes, were their best and most indie-oriented. It's not as rich in texture and other qualities as the most renowned goth of the era, and not as tuneless as the worst of it; it's somewhere in between. The group could have used more melody and diversity to more effectively convey its messages of angst and scarred modern landscapes -- an observation, true, that could apply to many acts working this territory. Some imaginative synthesizer lines and a few just-about-danceable beats are of some worth. But it's too droning and unvariegated to make a significant mark, and hard to distinguish from much other post-punk murk since the early '80s that has leaned on similar attributes. ~ Richie Unterberger



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