Save Me (CD)

• Category:  Music  »  Rock & Pop  »  General Rock & Pop
• Format: CD   Learn more about the CD format using Tower WIKI.
• Release Date: June 28, 2005
• Label: Kirtland Records
• UPC: 186535000262
• WAPI (Tower ID): 106424166
• Average Customer Review: There are no customer reviews yet. Be the first to write a review!
• Tower.com Sales Rank: #50081 in Music (See Top 100 Music Bestsellers)
• #15691 in Rock & Pop (See Top 100 Rock & Pop Bestsellers)
• #9927 in General Rock & Pop (See Top 100 General Rock & Pop Bestsellers)

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This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

Personnel includes: Pat McGee (vocals, guitar); Brian Fechino (guitar); Mary Rowell, Todd Reynolds, Marti Sweet, Luara Seaton, Joyce Hammann, Paul Woodiel (violin); Conway Kuo, Alejandra Mahave (viola); Victor Lawerence, Adam Grabois (cello); Marti Fredriksen (Hammond B-3 organ, background vocals); John Small (bass); Chris Williams (drums); Chardy McEwen (percussion).

Producers: Gregg Wattenberg, Marti Frederiksen.

Working in the same FM realm as Train, Goo Goo Dolls, and Counting Crows, the Pat McGee Band utilize a capable blend of wistful romanticism and mid-tempo balladry to weave a web of sound that rarely offends. Their fifth release, Save Me, finds the Virginia natives expounding on their simplistic notions of love and love lost, resulting in a recording that breaks little new ground but achieves its overall goal of existing. Highlights include the upbeat rockers "Annabel" and "Set Me Free," and the catchy single "Beautiful Ways." ~ James Christopher Monger

Halfway through Save Me, the fifth release from the Virginia-based Pat McGee Band, the first five songs vanish from the listener's memory, only to be replaced by six nearly identical cuts from the same cheesecloth. Working in the same realm of tedious FM conformity as Train and Goo Goo Dolls, the group utilizes endless variations of the three chords that inspire them to weave a harmless web of sound that irritates but never offends. McGee writes in the style of a simple bard in the thralls of love and deceit, frequently referencing his "bleeding heart" and the current "you" in his life with the selfish introspection of a high-school sophomore. As a wordsmith he seems capable of little else than romantic confrontation -- "you're touch has me so unover you" is possibly one of the worst lyrics ever written -- and the song titles themselves are templates of mid-tempo balladry -- "Don't Give Up," "Must Have Been Love" -- culled from mid-'80s Whitesnake records. Musically, the band displays its capable chops on upbeat rockers like "Annabel" and "Set Me Free," and the crisp, clean production gives the songs the kind of immediate appeal that sells records for a week or two, but the overall package is as disposable as the genre itself. In the end, Save Me will achieve immortality at the forgiving pulpit of syndication, as McGee has succeeded in crafting a soundtrack for young, beautiful, and empty television characters to make love to. ~ James Christopher Monger

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