Rolling Stone (9/27/01, pp.67-8) - 4 stars out of 5 - "...Explodes beyond the confines of what has become a played-out sound... songs on a passion so fierce they're almost exhausting to listen to.... Without resorting to ham-fisted angst, P.O.D. push all the right emotional buttons..."
Spin (p.89) - "[They] sang from the heart about school shootings, losing parents, and being truly alive."
Q (1/02, p.106) - 3 out of 5 stars - "...heavy, angry, and very, very loud....many songs have messages of peace and spirituality....their Gen-X angst sounds genuine..."
CMJ (10/1/01, p.16) - "...[Its] honest spiritual subject matter coupled with crack-your-skull riffs work like a well-oiled machine..."
P.O.D.: Sonny (vocals); Marcos (guitar, background vocals); Traa (bass, background vocals); Wuv (drums, background vocals).
Additional personnel: Joel Derouin (violin); Larry Corbett (cello); Howard Benson (keyboards, loops); MikeSki (programming); H.R., Eek-A-Mouse, Christian Lindskog, D.J. Harper, Jonnie Hall, Colin Sasaki, Nils Montan, Laurie Schillinger, Meagan Moore, Ayana Williams, Healy Moore (background vocals).
Recorded at Bay 7, Valley Village, California and Sparky Dark, Calabassas, California.
"Alive" was nominated for the 2002 Grammy Award for Best Hard Rock Performance.
"Youth Of The Nation" was nominated for the 2003 Grammy Awards for Best Hard Rock Performance. "Portrait" was nominated for the 2003 Grammy Awards for Best Metal Performance.
Coming off its breakthrough 1999 major-label debut THE FUNDAMENTAL ELEMENTS OF SOUTHTOWN, P.O.D. returns with SATELLITE, a stunning follow-up whose mix of messages and musical styles puts them head-and-shoulders above their rap-metal peers. Fans get plied with crunching guitars while frontman Sonny Sandoval's rap-flavored vocals perfectly complement the band's rhythmic assault on the bare-knuckle single "Alive" and the equally brutal "Boom." Still proudly brandishing its Christian beliefs, P.O.D. bypasses proselytizing while employing arrangements that go beyond the typical nu-metal barrage.
A children's choir is featured on a chiming treatise about school violence ("Youth Of The Nation"), Rage-flavored staccato riffs pepper a testimony to faith (the title track), and Sandoval's late mother is paid tribute with a gorgeous elegy overflowing with acoustic guitar, harmonies and a groove ("Thinking About Forever"). As if stylistic maturation weren't enough, P.O.D. also pays tribute to their influences via some well-executed guest shots. Bad Brains vocalist H.R. appears on the kind of reggae/hardcore hybrid that his old band mastered ("Without Jah, Nothin'") while toaster Eek-A-Mouse impresses on the mellower-but-no-less intriguing dub-flavored workout ("Ridiculous").
