At San Quentin (The Complete 1969 Concert) (Remaster) (CD) ~ Joh... Cover Art

At San Quentin (The Complete 1969 Concert) (Remaster) (CD)

By: Johnny Cash (Artist)

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Product Description

Track Listing

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DISC 1 for At San Quentin (The Complete 1969 Concert) (Remaster) (CD) Album By Johnny Cash (Artist)
1   Big River - (previously unreleased, bonus track)
2   I Still Miss Someone - (previously unreleased, bonus track)
3   Wreck Of The Old 97
4   I Walk The Line
5   Darlin' Companion
6   I Don't Know Where I'm Bound - (previously unreleased, bonus track)
7   Starkville City Jail
8   San Quentin
9   San Quentin
10   Wanted Man
11   Boy Named Sue, A
12   Peace In The Valley (There'll Be)
13   Folsom Prison Blues - (previously unreleased, bonus track)
14   Ring Of Fire - (previously unreleased, bonus track)
15   He Turned The Water Into Wine - (previously unreleased, bonus track)
16   Daddy Sang Bass - (previously unreleased, bonus track)
17   Old Account Was Settled Long Ago, The - (previously unreleased, bonus track)
18   Closing Medley: Folsom Prison Blues / I Walk The Line / Ring Of Fire / The Rebel-Johnny Yuma - (previously unreleased, bonus track)
 

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Review

CMJ (6/19/00, p.32) - "...This beefed-up landmark release reissue contains nearly an album's worth of extra material..."

Title Note

Personnel: Johnny Cash (vocals, guitar); June Carter, The Carter Family, The Statler Brothers (vocals); Luther Perkins, Bob Wootton, Carl Perkins (electric guitar); Marshall Grant (bass guitar); W. S. "Fluke" Holland (drums).

Recording information: 1969.

One of country music's unequivocal stars, Johnny Cash retained respect for the travails of the audience elevating him to that position. Recorded live at one of America's most notorious prisons, this album displays an empathy bereft of condescension and captures a performer combining charisma with natural ease. The material is balanced between established favorites and new material including "Wanted Man" (an unrecorded Bob Dylan song), and the lighthearted hit "A Boy Named Sue." It was not the first time Cash had recorded in a penal institution, but this appearance, at a time when American values were vociferously questioned, suggested the artist's rebelliousness had not dimmed.

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