From his earliest days with the Three Irish Tenors, Tynan has harked back to sentimental forebears like John McCormack and Frank Patterson, who were wonderfully secure-voiced singers and musicians of remarkable taste and tact. But he also exemplifies the kind of theatrically brash, light "classical" singing made famous by the original Three Tenors, which in turn broke ground for popular sensations like Charlotte Church, Andrea Bocelli, and Sarah Brightman. His program this time out ranges from Broadway, to the pulpit, to unabashed pop. He commences with a selection from Man Of La Mancha, which only proves that the composer had good reasons for writing the character of Don Quixote as a baritone. Despite the reverb-enhanced recording, Tynan's nasal enunciation and pitch problems are distracting and the orchestra and other accompanying musicians sound a bit distant. But fans of the artist will revel in Tynan's headlong versatility and engaging, sunny charm. --Christina Roden