Rolas De Aztlan: Songs Of The Chicano Movement (CD) ~ Various Ar... Cover Art

Rolas De Aztlan: Songs Of The Chicano Movement (CD)

By: Various Artists


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DISC 1 for Rolas De Aztlan: Songs Of The Chicano Movement (CD) Album By Various Artists
1   Yo Soy Chicano - Los Alvarados
2   De Colores - Children From The School Of Santa Isabel
3   Yo No Se Tengo Miedo A Nada - El Teatro Campesino
4   Llegando A Lod Files - El Teatro Campesino
5   El Picket Sign - El Teatro Campesino
6   No Nos Moveran - La Rondalla Amerindia De Aztlan
7   Ninos Campesinos - El Teatro Campesino
8   Corrido De Cesar Chavez - Los Perros Del Pueblo Nuevo
9   Corrido Del Rio Arriba - Los Reyes De Albuquerque
10   Corrido Del Bracero - Los Mascarones Y Los Alacranes Mojados
11   America De Los Indios - Daniel Valdez
12   El Quinto Sol - Los Peludos
13   Soy De Pueblo - Flor De Pueblo
14   El Tilingo Lingo - Los Lobos Del Este De Los Angeles
15   Yo Soy Tu Hermano, Yo Soy Chicano - Conjunto Aztlan
16   Lulac Cadillac - Trio Casindio
17   Chicano Park Samba - Los Alacranos Mojados
18   Vietnam Veterano - Alberto Reyes
19   Quihubo Raza - Agustin Lira & Alma
 


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Title Note

Photographer: Manuel Ramirez.

This important collection of folk songs from the Chicano movement, which began in the Southwest in the mid-'60s and continues today, covers 30 years of history. The heulga (strike) songs, moviemento (anthems), and the corridos (narrative songs of heroism and valor) come out of many forms including the conjunto sounds of the Texas-Mexico border. None of these tunes were recorded for commercial or critical purposes but rather as documents of struggle and inspiration. Most of the music here is on the raw side, immediate and gripping. A listen to the anthem "Yo Soy Chicano" from 1973 (which is described in the liner notes as the anthem of identity for the Chicano movement) is deeply moving and immediate. The lyrics attributed to Juanita Dominguez were written to the corridor "la Lreilera." (Many of the huelga songs were adaptations of other well-known corridos and rancheras.) There are surprises here, too, including "De Colores," sung by a group of school children from the school of Santa Isabel in East L.A. in 1977 and written by the members of a band called los Lobos del Este de los Angeles, or los Lobos, before they made their first recording. There is another song here actually performed by them from 1978, entitled "El Tilingo Lingo," which is a movement dance tune. There are many songs here from the Teatro groups as well, including "Llegando a los Files," from el Teatro Campesino, a well-known tune in the heulga song repertoire, using the ranchera style of Mexico's women singers. And that's the point: the many song forms here all come from the folk, the people themselves. Shared culture allows the various songs offered here to reflect the wide diversity of linguistics, musical and lyrical style, and geography all coming together under an umbrella of unity and a newly emerging identity in North America. Perhaps nothing here is so moving as "Yo No le Tengo Miedo a Nada" from 1966. Composed by Teatro Campesino co-founder Agustin Lira, it's energy, power, and soul-stirring unity takes it out of history and places it in the heart of shared struggle itself. Rolas de Aztl n is an original and necessary document of essential American musical history. ~ Thom Jurek



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