Rock & Roll/Beat & Soul (Import) (CD) ~ The Everly Broth... Cover Art

Rock & Roll/Beat & Soul (Import) (CD)

By: The Everly Brothers (Artist)


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Product Description


Track Listing

DISC 1 for Rock & Roll/Beat & Soul (Import) (CD) Album By The Everly Brothers (Artist)
1   That'll Be The Day  
2   So Fine  
3   Maybellene  
4   Dancing In The Street  
5   Kansas City  
6   I Got A Woman  
7   Love Hurts  
8   Slippin' And Slidin'  
9   Susie Q  
10   Hound Dog  
11   I'm Gonna Move To The Outskirts Of Town  
12   Lonely Weekends  
13   Love Is Strange  
14   Money (That's What I Want)  
15   What Am I Living For  
16   Hi Heel Sneakers  
17   See See Rider  
18   Lonely Avenue  
19   Man With Money  
20   People Get Ready  
21   My Babe  
22   Walking The Dog  
23   I Almost Lost My Mind  
24   Girl Can't Help It  
25   You're My Girl (bonus track)  
26   Don't Let The Whole World Know (bonus track)  
27   Kiss Your Man Goodbye (first recording/bonus track)  
28   Give Me A Sweetheart (bonus track)  
29   Follow Me (bonus track)  
30   Don't Ya Even Try (bonus track)  
31   Susie Q (Italian version/bonus track)  
32   La Luna E Un Pallido Sole (bonus track)  
33   Non Mi Resti Che Tu (bonus track)  
 


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Title Note

By late 1964, the Everly Brothers were in the odd position of having a long-term major-label recording contract that still had years to run, but having become pass‚ as a recording act. Their commercial eclipse had begun by the start of 1963, and it was made even darker by the onset of the British Invasion a year later. Nevertheless, the duo broke a string of flops by placing "Gone, Gone, Gone" in the Top 40 in early December 1964, and that same week they went into a recording studio in Nashville to make an LP of rock & roll covers called Rock 'n Soul. The key to its artistic failure may lie in the recording location; using a band of country session musicians, the Everlys were hobbled by flat-footed arrangements that were rhythmically challenged as they essayed everything from the work of '50s contemporaries of theirs like Buddy Holly and Chuck Berry to Martha & the Vandellas' "Dancing in the Street," which had just dropped off the charts. No matter what they tried, the backup remained ham-fisted and stiff. Six months later, they tried again in Los Angeles, this time using a band made up of James Burton, Glen Campbell, and Sonny Curtis (guitars); Billy Preston and Leon Russell (keyboards); Larry Knechtel (bass); and Jim Gordon (drums). Although none of these musicians were famous yet, they all knew how to rock, and the resulting LP, Beat & Soul, was a vast improvement over its predecessor, with effective Everlys covers of songs including the Motown standard "Money (That's What I Want)" and Curtis Mayfield's "People Get Ready," plus, as a ringer, their own excellent composition "Man with Money." Amazingly, the album even got into the charts briefly. This two-fer CD combines both albums and adds nine rarities as bonus tracks. "Don't Let the Whole World Know," "Give Me a Sweetheart," and "Don't Even Try" appear in stereo for the first time, while this version of "Kiss Your Man Goodbye" is previously unreleased, and other tracks, such as the Italian-language single "La Luna e un Pallido"/"Non Mi Resti Che Tu," are making their CD debuts. The remastered sound quality is excellent, and annotator Andrew Sandoval, if a bit over-enthusiastic, provides valuable information about this difficult period in the Everly Brothers' career. ~ William Ruhlmann

Album Description

By late 1964, the Everly Brothers were in the odd position of having a long-term major-label recording contract that still had years to run, but having become pass‚ as a recording act. Their commercial eclipse had begun by the start of 1963, and it was made even darker by the onset of the British Invasion a year later. Nevertheless, the duo broke a string of flops by placing "Gone, Gone, Gone" in the Top 40 in early December 1964, and that same week they went into a recording studio in Nashville to make an LP of rock & roll covers called Rock 'n Soul. The key to its artistic failure may lie in the recording location; using a band of country session musicians, the Everlys were hobbled by flat-footed arrangements that were rhythmically challenged as they essayed everything from the work of '50s contemporaries of theirs like Buddy Holly and Chuck Berry to Martha & the Vandellas' "Dancing in the Street," which had just dropped off the charts. No matter what they tried, the backup remained ham-fisted and stiff. Six months later, they tried again in Los Angeles, this time using a band made up of James Burton, Glen Campbell, and Sonny Curtis (guitars); Billy Preston and Leon Russell (keyboards); Larry Knechtel (bass); and Jim Gordon (drums). Although none of these musicians were famous yet, they all knew how to rock, and the resulting LP, Beat & Soul, was a vast improvement over its predecessor, with effective Everlys covers of songs including the Motown standard "Money (That's What I Want)" and Curtis Mayfield's "People Get Ready," plus, as a ringer, their own excellent composition "Man with Money." Amazingly, the album even got into the charts briefly. This two-fer CD combines both albums and adds nine rarities as bonus tracks. "Don't Let the Whole World Know," "Give Me a Sweetheart," and "Don't Even Try" appear in stereo for the first time, while this version of "Kiss Your Man Goodbye" is previously unreleased, and other tracks, such as the Italian-language single "La Luna e un Pallido"/"Non Mi Resti Che Tu," are making their CD debuts. The remastered sound quality is excellent, and annotator Andrew Sandoval, if a bit over-enthusiastic, provides valuable information about this difficult period in the Everly Brothers' career. ~ William Ruhlmann



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