The Road (Other) ~ Cormac McCarthy (Author) Cover Art

The Road (Other)

By: Cormac McCarthy (Author)


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Review

"[Cormac] McCarthy establishes himself here as the closest thing in American literature to an Old Testament prophet, trolling the blackest registers of human emotion to create a haunting and grim novel about civilization's slow death after the power goes out."

"[T]renchant and terrifying, written with stripped-down urgency and fueled by the force of a universal nightmare...THE ROAD would be pure misery if not for its stunning, savage beauty."

"A novel of horrific beauty, where death is the only truth."

"THE ROAD has what John Steinbeck called 'unity feeling,' the sense of everything having been allowed entirely to cohere....When his desire for poeticism is profitably channeled and controlled--as it is for the majority of THE ROAD--Cormac McCarthy shows that h e is one of the greatest writers alive."

"[A] tense psychological drama about a man living on the edge of sanity."

"[Cormac McCarthy] has given us his great American nightmare....THE ROAD is a novel of transforming power and formal risk....All the modern novel can do is done here....Beauty and goodness are here aplenty and we should think about them. While we can."

"Stunning and heart-wrenching...with the startling vividness and complexity of a Hieronymus Bosch painting."

Annotation

Cormac McCarthy's bleak vision of the American landscape has always had a cataclysmic undertone, so it comes as no surprise that THE ROAD is actually set in a post-apocalyptic world of ash and bitter cold where cannibalistic marauders roam the countryside. In this dire place, a man and his son travel towards the sea armed only with a revolver and two bullets. Amid this desolation, a tin of canned pears is thing of wonder, and a broken wheel on their shopping cart can mean the difference between life and death. Their love for each other is fierce, but the son fears that his father has, in his desperation, become as savage and brutal as the world around him. Cormac McCarthy writes with a searing white heat, his images and language strike deep in the reader, and his vision of humanity is inexorable and haunting.


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MORE ABOUT THIS TITLE

NATIONAL BESTSELLER

PULITZER PRIZE WINNER
National Book Critic's Circle Award Finalist

A New York Times Notable Book
One of the Best Books of the Year
The Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington Post

The searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.

The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

MORE ABOUT THIS AUTHOR

Cormac McCarthy was born in Rhode Island. He attended the University of Tennessee in the early 1950s, and joined the U.S. Air Force, serving four years, two of them stationed in Alaska. McCarthy then returned to the university, where he published in the student literary magazine and won the Ingram-Merrill Award for creative writing in 1959 and 1960. McCarthy next went to Chicago, where he worked as an auto mechanic while writing his first novel, The Orchard Keeper.

The Orchard Keeper was published by Random House in 1965; McCarthy's editor there was Albert Erskine, William Faulkner's long-time editor. Before publication, McCarthy received a traveling fellowship from the American Academy of Arts and Letters, which he used to travel to Ireland. In 1966 he also received the Rockefeller Foundation Grant, with which he continued to tour Europe, settling on the island of Ibiza. Here, McCarthy completed revisions of his next novel, Outer Dark.

In 1967, McCarthy returned to the United States, moving to Tennessee. Outer Dark was published by Random House in 1968, and McCarthy received the Guggenheim Fellowship for Creative Writing in 1969. His next novel, Child of God, was published in 1973. From 1974 to 1975, McCarthy worked on the screenplay for a PBS film called The Gardener's Son, which premiered in 1977. A revised version of the screenplay was later published by Ecco Press.

In the late 1970s, McCarthy moved to Texas, and in 1979 published his fourth novel, Suttree, a book that had occupied his writing life on and off for twenty years. He received a MacArthur Fellowship in 1981, and published his fifth novel, Blood Meridian, in 1985.

After the retirement of Albert Erskine, McCarthy moved from Random House to Alfred A. Knopf. All the Pretty Horses, the first volume of The Border Trilogy, was published by Knopf in 1992. It won both the National Book Award and the National Book Critics Circle Award and was later turned into a feature film. The Stonemason, a play that McCarthy had written in the mid-1970s and subsequently revised, was published by Ecco Press in 1994. Soon thereafter, Knopf released the second volume of The Border Trilogy, The Crossing; the third volume, Cities of the Plain, was published in 1998.

McCarthy's next novel, No Country for Old Men was published in 2005. This was followed in 2006 by a novel in dramatic form, The Sunset Limited, originally performed by Steppenwolf Theatre Company of Chicago and published in paperback by Vintage Books. McCarthy's most recent novel, The Road, was published by Knopf in 2006 and won the Pulitzer Prize.


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