The Real Folk Blues/More Real Folk Blues (CD) ~ Howlin' Wolf (Ar... Cover Art

The Real Folk Blues/More Real Folk Blues (CD)

By: Howlin' Wolf (Artist)


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Howlin' Wolf Artist Snapshot:

Charles "Howlin' Wolf" Burnett's menacing, guttural vocals are among the blues' most distinctive sounds. His Chess recordings, including "Smokestack Lightning" and "Little Red Rooster," are landmarks which altered the flow of blues history and helped pave the way for rock 'n' roll. Unlike many of his contemporaries, Howlin' Wolf never really faded away (only to be rediscovered), but continued to tour constantly almost up until his death in 1976 of natural causes. Wolf, Muddy Waters, and Sonny Boy Williamson make up the Holy Trinity of Chicago blues, an electrified, mid-20th century urban genre that profoundly influenced the Rolling Stones, Eric Clapton, Led Zeppelin, and countless others.


Product Description


Track Listing

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DISC 1 for The Real Folk Blues/More Real Folk Blues (CD) Album By Howlin' Wolf (Artist)
1   Killing Floor
2   Louise
3   Poor Boy
4   Sittin' On Top Of The World
5   Nature
6   My Country Sugar Mama
7   Tail Dragger
8   Three Hundred Pounds Of Joy
9   Natchez Burnin', The
10   Built For Comfort
11   Ooh Baby Hold Me
12   Tell Me What I've Done
13   Just My Kind
14   I've Got A Woman
15   Work For Your Money
16   I'll Be Around
17   You Can't Be Beat
18   No Place To Go (You Gonna Wreck My Life)
19   I Love My Baby
20   Neighbors
21   I'm The Wolf
22   Rockin' Daddy
23   Who Will Be Next
24   I Have A Little Girl
 

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Title Note

2 LPs on 1 CD: THER REAL FOLK BLUES (1966)/MORE REAL FOLK BLUES (1967).

Producers: Leonard & Phil Chess, Sam Phillips, Willie Dixon.

Compilation producer: Andy McKaie.

Recorded in Chicago, Illinois. Includes liner notes by Mary Katherine Aldin, Willie Dixon and Paul Williams.

Digitally remastered Erik Labson (Universal Mastering, West, North Hollywood, California).

Howlin' Wolf is one of the most distinctive voices in blues. Born Chester Burnett in 1910, he began his recording career at the age of 41, having moved from Mississippi to West Memphis. A subsequent move to Chicago in the '50s launched his career in earnest via the Chess label. The two albums included on this CD were released in the mid-'60s and draw from recordings dating back to a decade earlier or more. The "folk blues" moniker is not altogether accurate, as these are blistering electric performances.

These two dozen cuts define what we now think of as Chicago blues (little of which ever hits these staggering heights). An incredible array of singers owe the roots of their identity to Howlin' Wolf (for example, though he jettisoned standard blues structures for Dadaist soundscapes, Captain Beefheart could not have developed his voice without the Wolf). Bigger than blues, this is simply essential music.



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