In 1976, the Ramones almost single-handedly invented punk rock and taught the likes of the Sex Pistols and the Clash how it was done. They combined a love of '60s pop melodies with a predilection for short, fast, loud songs and thick, chugging guitars. As part of the early NYC CBGB scene, they laid down the template that several generations of punk rockers have followed. Despite a couple of personnel changes over the years, they rarely strayed from their minimalist musical vision, rocking away until 1996. Though singer Joey and bassist/songwriter Dee Dee died in 2001 and 2002 respectively, and guitarist Johnny two years later, the Ramones still outlasted most of the bands they initially inspired.
DISC 1 for Ramones (CD) Album
By The Ramones (Artist)
No Description Available No Track Information Available Media Type: CD Artist: RAMONES Title: RAMONES Street Release Date: 06/19/2001 Domestic Genre: PUNK
The Ramones' April 1976 debut, recorded for little more than $6,000, long ago passed into legend. Its exalted status as the inspiration for thousands of punk bands worldwide, though, hasn't overshadowed its monolithic roar, the knowing hilarity of its lyrics ("Judy Is a Punk" crams the SLA, the Ice Capades, and a salute to Herman's Hermits into a 90-second frame), and the impulse to blast it for everyone within earshot: Hey, listen to this. Embracing and rewriting rock & roll history at once, Ramones speeded up heavy music, adding a pop patina to songs inspired by horror movies and glue sniffing, and claiming a great Chris Montez tune ("Let's Dance") from the supposedly fallow period that had fallen between Elvis and the Beatles. Absurdist, yeah (how could anything with Joey's super-affected Liverpool-via-Queens accent be otherwise?) and also smart: "Havana Affair" is the greatest song about the cold war this side of Dylan. This remastered edition complements the original LP with a slew of demos, including a Spectoresque "I Wanna Be Your Boyfriend," and the single version of "Blitzkrieg Bop," that, equally prophetically, puts Joey's vocal through a mixing trick that makes him sound like he's on the mic at a football game. --Rickey Wright
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