Ramón Vargas - L'amour, l'amour / Viotti (CD) ~ Jules Massenet Cover Art

Ramon Vargas: L'amour, L'amour

By: Ramon Vargas

Current Price: $9.42
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DISC 1 for Ramon Vargas: L'amour, L'amour Album By Ramon Vargas Amazon.com
1   3rd Act: L'amour, l'amour... Ah, lévetoi, soleil.... ((Cavatina of Romeo from the 3rd Act of "Romeo et Juliette") Buy
2   2nd Act: En fermant les yeux.... ((Dream tale of Des Grieux from the 2nd Act of "Manon") Buy
3   Act III: Pourquoi me réveiller ... Buy
4   4th Act: Inosservata penetrava ... Angelo casto e bel ((Scene and romance of Marcello from the 4th Act of "Il duca d'Alba") Buy
5   3rd Act: Tombe degli avi miei .... Fra poco a me... ((Aria of Edgardo from the 3rd Act of "Lucia di Lammermoor")) Buy
6   4th Act: Spirto gentil ... (Aria of Fernando from the 4th Act of "La Favorita") Buy
7   2nd Act: Una furtiva lagrima .... Buy
8   3rd Act: Ed ancor la tremenda porta.... ((Scene and aria of Roberto from the 3rd Act of "Roberto Devereux") Buy
9   2nd Act: Kuda, kuda, kuda vi udalilis ((Aria of Lensky from the 2nd Act of "Eugen Onegin") Buy
10   2nd Act: Ella mi fu rapita! ... Parmi veder le lagrime... ((Scene and aria of the Count from the 2nd Act of "Rigoletto") Buy
11   3rd Act: La donna è mobile ((Aria of the Count from the 3nd Act of "Rigoletto") Buy
12   3rd Act: Forse la soglia attinse ... Ma se m'è forza perderti Buy
13   1st scene: Che gelida manina (Aria of Rodolfo from the 1st scene of "La Bohème") Buy

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Product Notes

Mexican tenor Ramón Vargas is in the midst of a fine international career, where he is in demand for and concentrates on the purely lyric tenor repertoire. His smallish, well-focused voice is attractive and distinguished, his top notes free and easy, and his ability in coloratura admirable, making him particularly valuable in the operas of Rossini. He is also an intelligent musician and has a natural feel for a melodic line. On this CD, he tackles the occasional aria that is a bit too heavy for him, i.e., Rodolfo''s aria from La Bohème, an excerpt from Verdi''s Un Ballo in Maschera, and Lensky''s aria from Eugen Onegin, but on disc, at least, he finds no need to force, and the results are good. In general, he''s ardent without being overly sentimental, and except for a vaguely desperate sounding high D flat(!) (as at the end of the fine scene from Donizetti''s Roberto Devereux), he keeps the tone lovely. And his selection of arias here contains enough rarities among the chestnuts to make this CD particularly valuable. If you haven''t heard Vargas, you should. --Robert Levine

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