Raiders Of The Lost Ark (CD) ~ Original Soundtrack Cover Art

Raiders Of The Lost Ark (CD)

By: Original Soundtrack

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Related Video:
 [Indiana Jones and the Raiders of the Lost Ark (Spanish Language ... Cover Art ]
 [Indiana Jones and the Raiders of the Lost Ark (Spanish Language Edition) (DVD) ~ Harrison Ford (actor) ]
 

Product Description

Track Listing

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DISC 1 for Raiders Of The Lost Ark (CD) Album By Original Soundtrack
1   In the Jungle
2   Idol Temple, The
3   Escape From the Temple
4   Flight from Peru
5   Washington Men/Indy's Home
6   Thought for Marion/To Nepal, A
7   Medallion, The
8   Flight to Cairo
9   Basket Game, The
10   Bad Dates
11   Map Room: Dawn, The
12   Reunion in the Tent/Searching for the Well
13   Well of the Souls, The
14   Indy Rides the Statue
15   Fist Fight/The Flying Wing, The
16   Desert Chase
17   Marion's Theme/The Crate
18   German Sub, The
19   Ride to the Nazi Hideout
20   Indy Follows the Ark
21   Miracle of the Ark, The
22   Washington Ending & Raiders March
 

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Title Note

This DCC version of RAIDERS OF THE LOST ARK includes 30 additional minutes not on the original release.

The London Symphony Orchestra includes: John Williams (conductor).

Original score written by John Williams.

Recorded at Anvil Recording Studios, Denham, England and EMI Abbey Road Studio No. 1, London, England in February 1981. Includes liner notes by Lukas Kendall, Steven Spielberg and John Williams.

Composer: John Williams.

Personnel: Henry Greenwood, John Duffy (various instruments); John Leach (cymbolom); Nuala Herbert, Renata Scheffel-Stein (harp); David Williams, Michael Davis, Donald Stewart, Thomas Cook, Robin Brightman, Nigel Broadbent, Samuel Artis, Colin Renwick, Robert Retallick, Ian Rhodes, Terry Morton, Neil Watson, Jack Steadman, Thomas Swift, Warwick Hill, Geoffrey Creese, Stanley Castle, William Brown, Ashley Arbuckle, Robert Clark, Gillian Findlay, Brian Clark, Cyril Reuben, Dennis Gaines (violin); Clarence Atkinson, Peter Norriss, Patrick Vermont, William Sumpton, Alexander Taylor, David Hume, Richard Holttum, Patrick Hooley, Michael Mitchell (viola); Jack Long, Clive Gillinson, Ray Adams, Douglas Powrie, Francis Saunders, Ken Law, Maurice Meulien, Douglas Cummings, Paul Kegg, Rod McGrath (cello); Francis Nolan (flute, piccolo); Peter Lloyd, Richard Taylor (flute); James Quaife (horn flute); Ronald Moore, Jack Brymer, Roy Jowitt (clarinet); John Lawley, Geoffrey Browne , Anthony Camden, Roger Lord (oboe); Peter Francis (bassoon, contrabassoon); Robert Bourton, Nicholas Hunka, Martin Gatt (bassoon); Norman Archibald, Malcolm Hall, William Lang, Maurice Murphy (trumpet); Roger Brenner, Eric Crees, Roger Groves, Denis Wick (trombone); John Fletcher (tuba); Anthony Chidell, Terence Johns, Nigel Black, David Cripps, Nicholas Hill (horns); Robert Noble (piano, celesta); Francis Monkman (synthesizer); John Hill, Richard Bramhall, Gerald Newson, Simon Hetherington, Frank Mathison, Bruce Mollison, Geoffrey Downes, John Cooper, Paul Marrion (double bass); Kurt-Hans Goedicke, Russell Jordan (timpani); Michael Frye, Ray Northcott, John Lees (percussion).

Audio Remasterer: Patricia Sullivan Fourstar.

Liner Note Authors: Steven Spielberg; Laurent Bouzereau.

Recording information: Anvil Recording Studios, London, England.

Steven Spielberg reinvented the cliffhanger adventure formula of the '40s and '50s with this Harrison Ford blockbuster. Longtime collaborator and composer John Williams further ignited the screen with his rousing and robust score. Williams, who had already lent his deft hand to such notable Spielberg films as JAWS, elevated RAIDERS OF THE LOST ARK to instant-classic status with a score marked by triumphant choirs of brass and bravura.

On CD, the soundtrack has been treated with the attention it deserves. Fans all over the globe can rejoice in Williams' complete score, remastered and reissued in a beautiful cardboard slipcase. Exhaustive liner notes detail the music's creation, and entire pieces never featured in the film are restored. Williams' mighty symphonic tome is an adventurous exploration for the ear, by turns foreboding when necessary or dazzling in the grand, epic manner of Hollywood's bygone era, yet always powerful.

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