Pride & Prejudice (CD) ~ Original Soundtrack Cover Art

Pride & Prejudice (CD)

By: Dario Marianelli, English Chamber Orchestra, Jean-Yves Thibaudet

List Price: $18.98
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Mesh Match For "Pride & Prejudice" CD by Dario Marianelli, English Chamber Orchestra, Jean-Yves Thibaudet:

Track Listing

MP3 Downloads Album                  CD Universe Album
DISC 1 for Pride & Prejudice (CD) Album By Dario Marianelli iTunes CD Universe
1   Dawn Buy Buy  
2   Stars and Butterflies Buy Buy  
3   The Living Sculptures of Pemberley Buy Buy  
4   Meryton Townhall Buy Buy  
5   The Militia Marches In Buy Buy  
6   Georgiana Buy Buy  
7   Arrival To Netherfield Buy Buy  
8   A Postcard to Henry Purcell Buy Buy  
9   Liz on Top of the World Buy Buy  
10   Leaving Netherfield Buy Buy  
11   Another Dance Buy Buy  
12   The Secret Life of Daydreams Buy Buy  
13   Darcy's Letter Buy Buy  
14   Can't Slow Down Buy Buy  
15   Your Hands Are Cold Buy Buy  
16   Mrs Darcy Buy Buy  

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Album Description

No Description Available.
Genre: Soundtracks & Scores
Media Format: Compact Disk
Release Date: 15-NOV-2005

Product Notes

The year 2005 was big for Italian composer Dario Marianelli. His score for The Brothers Grimm received much applause (probably more than the film itself) and a few months later he came back with another batch of compositions for a period film. This time around, the plaudits are reversed: The film is better than the score. And that''s not the only reversal: Since several of his compositions were to be performed by some of the characters on screen, Marianelli wrote parts of the music before the movie was shot, switching the order in which these things are usually done. The onscreen pieces are for solo piano, and Marianelli got a huge leg up by having them played by famed classical performer Jean-Yves Thibaudet. Marianelli was instructed by director Joe Wright to think along the lines of Beethoven (tall order!) but unlike The Brothers Grimm, which cleverly mixed and matched its classical influences, Pride & Prejudice fails to acquire a personality of its own. A few tracks, such as "Arrival at Netherfield," even border on George Winston territory. The intervention of the English Chamber Orchestra usually helps, but overall the score''s palette sticks too much to a monochromatic beige. --Elisabeth Vincentelli

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