Poses (CD)

Although Rufus Wainwright is the son of singer-songwriters Loudon Wainwright and Kate McGarrigle, since the 1990s he has firmly established his own musical presence. Though he's an introspective troubadour, he looks back beyond the folk and rock influences of his parents to the golden age of pop songwriting … la Cole Porter and the Gershwins. His keening, diva-manqu‚ vocals and elegantly melodic compositions are as far from "rock" as any pop-based music can be. If he has any antecedents in the pop world, they would be similarly quirky L.A. songwriters of a previous era such as Van Dyke Parks (who co-produced Wainwright's debut album) and Randy Newman. His open homosexuality has endeared him to many in the gay community.

• Category:  Music  »  Rock & Pop  »  Singer/Songwriter
• Format: CD   Learn more about the CD format using Tower WIKI.
• Release Date: February 12, 2002
• Label: Dreamworks SKG
• UPC: 600445036925
• WAPI (Tower ID): 106431866
• Average Customer Review: There are no customer reviews yet. Be the first to write a review!
• Tower.com Sales Rank: #7026 in Music (See Top 100 Music Bestsellers)
• #2820 in Rock & Pop (See Top 100 Rock & Pop Bestsellers)
• #196 in Singer/Songwriter (See Top 100 Singer/Songwriter Bestsellers)

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Rolling Stone (6/21/01, p.76) - 4 stars out of 5 - "...Great pop....the best of POSES transmits the impatient, careening, manic life of a pleasure seeking New Yorker and still keeps a carefully calibrated lightweight focus, the way those old, literate pop songs did..."
Spin (7/01, pp.128-30) - 7 out of 10 - "...He reels witty pop reincarnations of the classical lieder he reveres, delivered in a lugubrious burr that's distinct and sophisticated....never running short on clever conceit."u Q Magazine (8/01, p.142) - 4 stars out of 5 - "...An album of love songs and broken promises, exquisite and truly infectious..."
Entertainment Weekly (6/8/01, p.76) - "...With Broadway-worthy new standards, and a strong supporting cast...Wainwright delivers a flawless, flip-flop-less performance..." - Rating: A
Alternative Press (2/02, p.65) - Ranked #20 in AP's "25 Best Albums of 2001".
Alternative Press (7/01, pp.86-7) - 8 out of 10 - "...Built upon [his] mastery of highly composed, early-20th-century popular-song styles..."
Magnet (12-1/02, p.57) - Included in Magnet's "20 Best Albums of 2001".
CMJ (6/4/01, p.5) - "...Brilliant..."
Vibe (6/01, p.136) - 4 discs out of 5 - "...Utterly human, deeply personal, and heroically fresh."
Mojo (Publisher) (p.54) - Ranked #95 in Mojo's "100 Modern Classics" -- "[T]his was potent notice of Wainwright's significance, and stylistic territory he'd do well to revisit."
Mojo (Publisher) (1/02, p.69) - Ranked #6 in Mojo's "Best [40] Albums of 2001".
Mojo (Publisher) (7/01, pp.108-9) - "...Transparently gorgeous..."
NME (Magazine) (12/29/01, p.59) - Ranked #8 in NME's 50 "Albums Of the Year 2001".
NME (Magazine) (6/9/01, p.39) - 8 out of 10 - "...It sees Wainwright displaying splendid musical finery..."

Personnel includes: Rufus Wainwright (vocals, guitar, piano); Jeff Hill, Damian Legassick (guitar, keyboards, programming); Julie Dupras (violin); Melissa Auf Der Maur (bass); Butch, Kevin Hupp, Michael Vincent Chaves (drums); Alex Gifford.

Producers include: Pierre Marchand, Alex Gifford, Damian Legassick, Ethan Johns, Damian Legassick.

When Rufus Wainwright first appeared on the music scene, the public was startled not only by the fact that this son of legendary musicians (a McGarrigle Sister and papa Loudon) was a true artist in his own right, but that he had a sound that set him so far apart from any of his contemporaries. Wainwright's second record POSES doesn't need to blaze any new stylistic ground since he's already so distinctively operating in his own furrow. The album pretty much picks up where its predecessor left off, offering elaborate, piano-based melodies that owe more to Tin Pan Alley (or at their most modern, Brian Wilson) than to any contemporaneous trend. The arrangements are rich with unusual harmonies, which serve Wainwright's unusual voice and lyrics extremely well. His high, keening tenor lets loose a torrent of self-effacing lyrics that examine his own place in the world with a cynic's mind and a believer's heart. The cynic, represented mostly by the witty turns of phrase, spends most of POSES battling it out with the believer, given voice by the lustrous melodic turns. Here's hoping they keep their aesthetically rewarding conflict going for a long time to come.

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