Pork Chop Blue Around The Rind (Import) (CD) ~ Captain Beefheart Cover Art

Pork Chop Blue Around The Rind (Import) (CD)

By: Captain Beefheart


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Product Description


Track Listing

DISC 1 for Pork Chop Blue Around The Rind (Import) (CD) Album By Captain Beefheart
1   Suction Prints  
2   Abba Zaba  
3   When I See Mommy I Feel Like A Mummy  
4   Evening Bell  
5   Pachuco Cadaver  
6   When It Blows Its Stacks  
7   Carrot Is As Close Rabbit Gets To A Diamond  
8   Sugar 'N Spikes  
9   When Big Joan Sets Up  
10   Dali's Car  
11   Veteran's Day Poppy  
12   Kandy Korn  
13   Tropical Hot Dog Night  
 


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Review

Mojo (p.104) - 4 stars out of 5 - "An elongated 'When It Blows Its Stacks, on which the soloists take it in turns to cut loose, is dark and sonically massive. It's quite a blast and, of course, an invitation to the mother of all karaoke sessions."

Uncut (p.110) - 3 stars out of 5 - "[W]hen Lucas cuts loose on bottleneck you remember what the Magic was all about."

Down Beat (p.81) - 3.5 stars out of 5 - "The ensemble's flamboyant exultations are spawned by roaring horns layered atop lithely flowing rhythmic foundations."

JazzTimes (p.114) - "[I]t's Lucas who rises as the album's star, cutting through the din at every moment with a lean and spiky nonmelody to refocus the ears and reset the mind for the ensemble's next dip into wonderful wackiness."

Product note

Fast 'N' Bulbous: Gary Lucas (guitar); Phillip Johnston (alto saxophone); Dave Sewelson (baritone saxophone); Rob Henke (trumpet); Joe Fiedler (trombone); Jesse Krakow (bass guitar); Richard Dworkin (drums).

Album Description

At first glance, Beefheart without Beefheart would appear to be a risky proposition. After all, the Captain's vaunted three-octave rasp/howl and his surrealist nonsense lyrics were always the main attraction, and his tyrannical control of bandmembers and arrangements was legendary. The music itself often seemed fragmented and skeletal, designed only as a backdrop for Beefheart's rants. Nonetheless, Don Van Vliet (aka Captain Beefheart) was much more than a neo-beat poet with musical accompaniment. In his head were not just words but also melodies and jagged, funky rhythms that he worked hard to communicate to his musicians. In turn, he empowered his groups to take the music in new directions and participate in the creative process, if only because he couldn't read music himself and often described what he was hearing in vague, metaphorical terms. So it turns out (and, this CD is prime evidence) that when you take Beefheart away from Beefheart, you can still come up with something rather special. Credit for the success of this venture goes to guitarist Gary Lucas and especially to alto saxophonist and arranger Phillip Johnston. Aside from his fearless eclecticism and technical expertise, Lucas has the advantage of having been a member of one of Beefheart's last working bands. He understands Beefheart's sound and his logic; Lucas' spiky, warped slide guitar is a strong link to the original songs, most of which featured the work of two guitarists in tandem. However, Johnston is the real genius of this session, essentially writing charts for a horn section (trumpet, trombone, baritone, and his own alto) plus the wildly improvising Lucas and a rhythm section of Richard Dworkin on drums and Jesse Krakow on bass. Johnston smoothes out the stuttering Beefheart pulse, giving the music a basic blues-rock feel and sometimes, more weirdly, the sound of a crazed college marching band (e.g., "Abba Zaba"). Others pieces, such as "Kandy Korn" and "Suction Prints," even project a bit of a New Orleans second-line strut, with contrapuntal interaction and hints of primitive funk or even Dixieland. Most of the 13 pieces on the CD are three to seven minutes long, but all participants have the opportunity to contribute brief but blistering solos. Joe Fiedler, on trombone, takes particular advantage of his opportunities. Remarkably, these instrumentals hold onto Beefheart's obsessive strangeness, which is really the best tribute that Lucas, Johnston, and the rest of the Fast 'n' Bulbous crew could have given him. This CD is ragged but right, all the way. ~ Bill Tilland


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