Peter Green's Fleetwood Mac (CD) ~ Fleetwood Mac (Artist) Cover Art

Peter Green's Fleetwood Mac (CD)

By: Fleetwood Mac (Artist)

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Product Description

Track Listing

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DISC 1 for Peter Green's Fleetwood Mac (CD) Album By Fleetwood Mac (Artist)
1   My Heart Beats Like A Hammer
2   Merry Go Round
3   Long Grey Mare
4   Hellhound On My Trail
5   Shake Your Moneymaker
6   Looking For Somebody
7   No Place To Go
8   My Baby's Good To Me
9   I Loved Another Woman
10   Cold Black Night
11   World Keep On Turning, The
12   Got To Move
13   My Heart Beat Like A Hammer - (take 1)
14   Merry Go Round - (take 1)
15   I Loved Another Woman - (take 1,2, 3 &4)
16   I Loved Another Woman - (take 5 & 6)
17   Cold Black Night - (take 1, 2, 3, 4, 5 & 6)
18   You're So Evil
19   I'm Coming Home To Stay
 

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Review

Mojo (Publisher) (2/03, p.102) - "...Once you've succumbed to the power of these songs you'll crave more..."

Title Note

Fleetwood Mac: Peter Green (vocals, guitar, harmonica); Jeremy Spencer (vocals, slide guitar); John McVie, Bob Brunning (bass guitar); Mick Fleetwood (drums).

Recording information: CBS Studios, London, England (1967).

PETER GREEN'S FLEETWOOD MAC, the band's full-length debut, is miles removed from commercially tailored soft rock of Fleetwood Mac's 1970s incarnation. The '60s version of the band, led by guitarist/singer Peter Green, was edgy, psychedelic, and rooted deeply in the blues. Green's love of revved-up 12-bar jams, raw boogie grooves, and shredding electric leads come together beautifully on this album, with the help of slide guitarist/singer/pianist Jeremy Spencer, drummer Mick Fleetwood, and bassist John McVie.

With the exception of Spencer, the members had played together in John Mayall's Bluesbreakers, and took the slashing, mercurial sound and lock-step interplay from that outfit and--arguably--improved on it. Though the album is steeped in traditional blues and includes covers of tunes by Robert Johnson ("Hellhound on My Trail"), Howlin' Wolf ("No Place to Go"), and Elmore James ("Got to Move"), the compositions penned by Green and Spencer stand up, especially the subtler singing and playing by Green (as on "Looking for Somebody"). Released at time when the market was glutted with amped-up British blues, PETER GREEN'S FLEETWOOD MAC stands above the competition with its superior musicianship and gutsy punch. It remains a template for hard-driving blues-rock.

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