Permanent Record: The Very Best Of (Remaster) (CD) ~ The Violent... Cover Art

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Permanent Record: The Very Best Of (Remaster) (CD)

By: The Violent Femmes (Artist)


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Product Description


Track Listing

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DISC 1 for Permanent Record: The Very Best Of (Remaster) (CD) Album By The Violent Femmes (Artist)
1   Gimme The Car
2   Blister In The Sun
3   Gone Daddy Gone/I Just Want To Make Love To You
4   Kiss Off
5   Add It Up
6   Black Girls
7   Jesus Walking On The Water
8   Children Of The Revolution
9   I Held Her In My Arms
10   Nightmares
11   American Music
12   Breakin' Up
13   Color Me Once
14   I Danced
15   Country Death Song (Live, 1998)
16   Freak Magnet
17   Silent
18   Silent
19   Silent
20   bonus track 1
 


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Review

Mojo (Publisher) (p.130) - 4 stars out of 5 - "Singer Gordon Gano's oeuvre vacillates between extremes of rootsy, lyrical majesty and They Might Be Giants whimsy."

Title Note

Composer: Violent Femmes.

The Violent Femmes: Gordon Gano (guitar); Brian Ritchie (acoustic guitar); Victor DeLorenzo (drums).

Recording information: 1983 - 2000.

Intense, wry, risque, and dependably quirky, the music of Violent Femmes helped define "college rock" in the 1980s. The Wisconsin trio's willfully primitive folk-punk emerged fully formed on the group's 1983

eponymous debut, unleashing such classic acoustic barnstormers as "Kiss Off," "Add It Up," and the dance-floor sing-along favorite "Blister in the Sun." These tracks are all present on PERMANENT RECORD, a

band retrospective that follows the Femmes through the fuller sound of HALLOWED GROUND and beyond, touching down on the Talking Heads-like rendition of T.Rex's "Children of the Revolution" (which features the Heads' Jerry Harrison) and the oddly uplifting, nostalgic "American Music."

Although this 16-song set overlaps somewhat with ADD IT UP: 1981-1993, it follows the Femmes catalog through 2000's FREAK MAGNET (including the melancholy, soul-tinged "Color Me Once" from the soundtrack to 1994's THE CROW), making for a more wide-ranging overview. Throughout the compilation, frontman Gordon

Gano's unmistakably whiny vocals, caustic lyrics, and fierce acoustic-guitar strumming are at the fore, embodying the skewed charm of this utterly unique ensemble.



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