Perfect Unpop (Peel Show Hits And Long-Lost Lo-Fi Favourites Vol... Cover Art

Perfect Unpop (Peel Show Hits And Long-Lost Lo-Fi Favourites Vol.1 - 1976-1980) (CD)

By: Various Artists


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Product Description


Track Listing

DISC 1 for Perfect Unpop (Peel Show Hits And Long-Lost Lo-Fi Favourites Vol.1 - 1976-1980) (CD) Album By Various Artists
1   Language School - Tours  
2   Whips And Furs - Vibrators  
3   Ambition - Subway Sect  
4   Final Day - Young Marble Giants  
5   Hedi's Head - Kleenex  
6   On Me - Bears  
7   Whole Wide World - Wreckless Eric  
8   Real Shocks - Swell Maps  
9   Who Is Innocent - Out  
10   Thinking Of The USA - Eater  
11   Mary Millington - Disco Zombies  
12   White Mice - Mo-Dettes  
13   Self Concious Over You - Outcasts  
14   Teenage Treats - Wasps  
15   Couldn't Believe A Word - 45s  
16   This Is Your Life - Glaxo Babies  
17   Going Through The Motions - Prefects  
18   Radio Wunderbar - Carpettes  
19   Bad Hearts - Tights  
20   He's Frank (Slight Return) - Monochrome Set  
21   It's Obvious - Au Pairs  
22   Happy Feeling - Sinatras  
23   Brickfield Nights - Boys  
24   Flood - Blue Orchids  
25   Brickfield Nights - The Boys  
26   Flood, The - The Blue Orchids  
 


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Review

Record Collector (magazine) (p.103) - 4 stars out of 5 -- "In essence, it feels like rather a good radio show put together by someone with impeccable, if idiosyncratic, taste."

Review

Record Collector (magazine) (p.103) - 4 stars out of 5 -- "In essence, it feels like rather a good radio show put together by someone with impeccable, if idiosyncratic, taste."

Title Note

It's not too obvious from the title (especially if you don't live in the U.K.), but basically this is a compilation of a couple dozen songs that John Peel -- a longtime champion of underdog rock music on the BBC -- played on his radio program in the early days of punk and new wave. There aren't exactly any hits or punk standards here, or any of the most celebrated bands from the movement. But there are tracks by some of the most respected secondary/cult artists of the time (the Vibrators, Subway Sect, Young Marble Giants, Wreckless Eric, the Au Pairs) and some performers who will be familiar to in-the-know fans of the genre (Kleenex, the Mo-Dettes, Eater, Swell Maps), though quite a few of the songs and singers get into known-only-to-collectors territory. This might not be the best place to go for below-the-mainstream radar punk and new wave, though it does include at least one classic in the Mo-Dettes' ultra-catchy (if indecipherable) "White Mice," one of the top one-shot offerings from the whole scene. Some of the better cuts -- Wreckless Eric's "Whole Wide World" and Young Marble Giants' "Final Day," for instance -- also hold their own as enduring songs. Yet much of the rest is rather ordinary if unflaggingly energetic and sincere in its desire to buck rock conventions. But taken together it does form a picture of how the British wing of those movements diversified from its thrashier punk beginnings into more melodic and stylistically diverse music, though without approaching the slickness of early-'80s commercial new wave. The liner notes also give quite a bit of background of the artists and the songs represented on this anthology. ~ Richie Unterberger

Album Description

It's not too obvious from the title (especially if you don't live in the U.K.), but basically this is a compilation of a couple dozen songs that John Peel -- a longtime champion of underdog rock music on the BBC -- played on his radio program in the early days of punk and new wave. There aren't exactly any hits or punk standards here, or any of the most celebrated bands from the movement. But there are tracks by some of the most respected secondary/cult artists of the time (the Vibrators, Subway Sect, Young Marble Giants, Wreckless Eric, the Au Pairs) and some performers who will be familiar to in-the-know fans of the genre (Kleenex, the Mo-Dettes, Eater, Swell Maps), though quite a few of the songs and singers get into known-only-to-collectors territory. This might not be the best place to go for below-the-mainstream radar punk and new wave, though it does include at least one classic in the Mo-Dettes' ultra-catchy (if indecipherable) "White Mice," one of the top one-shot offerings from the whole scene. Some of the better cuts -- Wreckless Eric's "Whole Wide World" and Young Marble Giants' "Final Day," for instance -- also hold their own as enduring songs. Yet much of the rest is rather ordinary if unflaggingly energetic and sincere in its desire to buck rock conventions. But taken together it does form a picture of how the British wing of those movements diversified from its thrashier punk beginnings into more melodic and stylistically diverse music, though without approaching the slickness of early-'80s commercial new wave. The liner notes also give quite a bit of background of the artists and the songs represented on this anthology. ~ Richie Unterberger



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