Percussion Of The World (Import) (CD) ~ Miguel Castro (Artist) Cover Art

Percussion Of The World (Import) (CD)

By: Miguel Castro (Artist)


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Product Description


Track Listing

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DISC 1 for Percussion Of The World (Import) (CD) Album By Miguel Castro (Artist)
1   Zaguansongo
2   Hot Sand, Cool Sandals
3   Sabre Dance
4   Juanita More
5   Cadence Of Waters
6   Prelude To Bugaku
7   Bugaku
8   Quiet Sunset
9   Brigamo
10   Incompatibilidade De Genius
11   Don't Touch That Button
12   In My Travels
13   Amazing Grace
14   El Condor Pasa
15   Rhythm Journey
 

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Product note

Personnel: Miguel Castro (various instruments, marimba, drums, percussion); Joey Stuckey (vocals, acoustic & 12-string guitar, oud, bass); Kathy Hawkins (bagpipes); Jason Currin (keyboards, percussion, sound effects); Wes Stephens (bass, percussion, sound effects); Adam Mitchell (drums); Leah Hammock (timpani, gong).
Recorded at Shadow Production Recording Studios, Macon, Georgia. Includes liner notes by Miguel Castro and Diz Heller.

Title Note

Personnel: Miguel Castro (various instruments, marimba, drums, percussion); Joey Stuckey (vocals, acoustic & 12-string guitar, oud, bass); Kathy Hawkins (bagpipes); Jason Currin (keyboards, percussion, sound effects); Wes Stephens (bass, percussion, sound effects); Adam Mitchell (drums); Leah Hammock (timpani, gong).

Recorded at Shadow Production Recording Studios, Macon, Georgia. Includes liner notes by Miguel Castro and Diz Heller.

Album Description

Miguel Castro is a true multi-instrumentalist. The liner notes credit him with 50 different types of percussion instruments, and that's just on this album. He makes use of his virtuosity by taking listeners on a musical tour of the world, from the Andes to Japan, from Central Africa to Scotland. There's nothing wrong, of course, with playing music from other cultures. But generally speaking, one is not going to sound as good in a cultural idiom as the people who were born to it, and for this reason Castro is in danger of offering listeners a dozen technically proficient yet mediocre performances of "world music." At least sometimes, Castro does better than this. To be sure, the Middle Eastern offering "Hot Sand, Cool Sandals" does use a cheesy electrified or synthesized oud, but only lightly, and the drum work is quite thoughtful. The Japanese piece "Bugaku" makes dramatic use of the thunderous drums of the Land of the Rising Sun. "In My Travels" features a hammered dulcimer played so fluidly that it sounds like a spinet piano. Other experiments, like his multi-culti rendering of "Amazing Grace," fare less well. Worthwhile for fans of incredible percussion, but not really a good listen. ~ Kurt Keefner


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