New World Order (CD)

• Category:  Music  »  R&B  »  Soul
• Format: CD   Learn more about the CD format using Tower WIKI.
• Release Date: October 1, 1996
• Label: Warner Bros. Records
• UPC: 093624634829
• WAPI (Tower ID): 106411692
• Average Customer Review: There are no customer reviews yet. Be the first to write a review!
• Tower.com Sales Rank: #61646 in Music (See Top 100 Music Bestsellers)
• #3615 in R&B (See Top 100 R&B Bestsellers)
• #364 in Soul (See Top 100 Soul Bestsellers)

Rolling Stone (11/14/96, p.112) - 4 Stars (out of 5) - "...Mayfield never lets his message outshine his melodic gifts. His high tenor voice is intact, and Mayfield's gospel roots still provide much of his inspiration....Mayfield brings grace and good taste to the steamy vibe of Atlanta-style '90s R&B..."
Entertainment Weekly (10/4/96, p.62) - "..The mellow groove, complete with wah-wah guitar fills and purring backup vocals, may speak of decades past, but the effect is that of a needed catch-me-up with a long-absent friend....Welcome back." - Rating: B+
Q (2/97, p.98) - 4 Stars (out of 5) - "...a beautiful, suitably life-affirming album. His trademark twinkling guitar is missing, but the voice is as gorgeous as ever--occasionally a little deeper than of old, but still a tool as expressive, humane and downright likable as any that's graced pop..."
Vibe (11/96, p.136) - "...NEW WORLD ORDER is truly heaven sent....The effect, reminiscent of old-school Mayfield without descending into retro nostalgia, finely suits the blend of bittersweet love songs and social commentary..."
Village Voice (2/25/97) - Ranked #31 in the Village Voice's 1996 Pazz & Jop Critics' Poll.
Mojo (Publisher) (3/00, p.121) - "...almost unbearably poignant....The new songs are unequivocal messages of hope and he revisits earlier material like 'We The People Who Are Darker Than Blue'. It's the fondest of farewells."

Personnel includes: Curtis Mayfield (vocals, various instruments); Aretha Franklin, Sandra St. Victor (vocals); Blaise Mayfield, Lisa Coates (rap vocals); Eric "E Smooth" Hicks (rap vocals, keyboards, programming); Roger Troutman (talkbox, guitar, keyboards, bass, programming); Tomi Martin (acoustic & electric guitars); Martin Terry (electric guitar); James Fischer (electric guitar, keyboards, programming); Carlos Glover (guitar, strings, keyboards, programming); Mario "Gary" Thompson, Craig Love (guitar); Rosmary Woods (strings, piano, drums, programming, background vocals); Frank "Buzzie" Amato (piano); Sir Dean Gant (keyboards); Narada Michael Walden (bass, steel drums, timbales, congas, shakers); Preston Crump (bass); Dee Simmons (drums); Organized Noize (programming); Mavis Staples, The Blow Jays, Joi, Skyler Jett (background vocals).

Producers include: Curtis Mayfield, Brian Fleming, Carlos Grover, Rosmary Woods, Organized Noize.

Engineers include: Carlos Glover, Blake Eiseman, David Frazer.

Recorded at Curtom Recording Studio, Doppler Recording Studios, Southern Tracks Recording Studio; Purple Dragon Recording Studios, Atlanta, Georgia; Tarpan Studios, San Rafael, California.

NEW WORLD ORDER was nominated for a 1997 Grammy Award for Best R&B Album.

The title track was nominated for a 1997 Grammy for Best Male R&B Vocal Performance.

"Back To Living Again" was nominated for a 1998 Grammy Award for Best Male R&B Vocal Performance.

That Curtis Mayfield is still gracing us with his soulful presence is a miracle. His comeback from paralysis has been quiet, slow and steady. Mayfield's delicate, breathy falsetto defined the era of late-'60s/early-'70s soul. The man who sang "Superfly" and "Freddie's Dead" had, and still has, a rare gift: a combination of abounding talent and social conscience. On NEW WORLD ORDER, which has nothing to do with George Bush and everything to do with the continuing saga of the king of smooth soul music, both his sound and his conscience remain intact.

The arrangements are, as always, spare, even gritty. A single, piercing guitar note wails in the background, as Mayfield seems to barely touch the notes he sings. He just brushes up against them at first, then embraces them like long lost lovers. On "Ms. Martha," a slow-grooved tribute to a neighborhood woman's quiet power, Mayfield enlists the help of gospel supervoice Mavis Staples. Here, and throughout, the message is real, unadorned, but always positive.

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