The Murky World Of Barry Adamson (CD) ~ Barry Adamson (Artist) Cover Art

The Murky World Of Barry Adamson (CD)

By: Barry Adamson (Artist)

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Barry Adamson Artist Snapshot:

The former bass player for Magazine, and also a member of Visage and Nick Cave's Bad Seeds, Barry Adamson's solo output has seen him concentrate on largely instrumental music. These ventures have allowed him to plow a much deeper artistic furrow, and anything from scat jazz to sinister electronic instrumentals has found a place on his recordings. Adamson's 1989 debut album, MOSS SIDE STORY, the soundtrack to a nonexistent film noir about the Manchester suburb, paved the way for genuine soundtrack work, most notably for David Lynch's eerie masterpiece, LOST HIGHWAY.

Product Description

Track Listing

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DISC 1 for The Murky World Of Barry Adamson (CD) Album By Barry Adamson (Artist)
1   Big Bamboozle, The
2   Jazz Devil
3   Man With The Golden Arm, The
4   What It Means
5   Vibes Ain't Nothin' But The Vibes, The
6   Mitch And Andy
7   Snowball Effect, The
8   Can't Get Loose
9   Something Wicked This Way Comes
10   007 James Bond - (album version)
11   Walk The Last Mile - (remix)
12   Saturn In The Summertime
 

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Review

Alternative Press (9/99, p.90) - 4 out of 5 - "...collects many of [Adamson's] faux-film-music experiments and presents them in a unified context....THE MURKY WORLD is actually a clear-eyed look at a fascinating modern composer..."
Mixmag (5/99, p.149) - 4 out of 5 - "...dark and witty music from sound-tracks, soul and easy listening exotica....Chill-out music at its most chilling..."
CMJ (5/31/99, p.29) - "...With organ-and-horn-fueled smokers and moody, vibraphone-and-string-laced ruminations, the album evokes shadowy figures, paranoia, intrigue and murder as well as any celluloid creation."
Melody Maker (5/1/99, p.36) - 3 stars (out of 5) - "...a collection of the man's finest solo moments....Few people can take a couple of notes and use them to conjure up images quite as strongly as he can..."

Title Note

Former Bad Seed Barry Adamson has had a lengthy career creating atmospheric lounge music for films both real and imagined. This release provides a retrospective of his output from 1989 - '99, as well as a few then-new tracks. The album is long on dark seduction and wry humor, often (as on the tongue-in-cheek Barry White pastiche, "Jazz Devil") simultaneously.

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