Monteverdi: Vespro della Beata Vergine, Selva morale e spiritual... Cover Art

Monteverdi: Vespro della Beata Vergine, Selva morale e spirituale (CD)

By: Andrew Parrott (Conductor), Taverner Choir (Ensemble), Taverner Consort (Ensemble) and Taverner Players (Ensemble)


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Track Listing

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DISC 1 for Monteverdi: Vespro della Beata Vergine, Selva morale e spirituale (CD) Album By Andrew Parrott (Conductor)
1   Vespro della Beata Vergine: Deus in adjutorium
2   Vespro della Beata Vergine: Deus in adjutorium
3   Assumpta est Maria in caelum
4   Vespro della Beata Vergine: Dixit Dominus a 6
5   Vespro della Beata Vergine: Dixit Dominus a 6
6   Maria Virgo assumpta est
7   Vespro della Beata Vergine: Laudate pueri a 8
8   Vespro della Beata Vergine: Laudate pueri a 8
9   In odorem unguentorum
10   Vespro della Beata Vergine: Laetatus sum a 6
11   Sonata … 2 per violino e violone
12   Benedicta filia tua Domino
13   Vespro della Beata Vergine: Nisi Dominus a 10
14   Vespro della Beata Vergine: Nisi Dominus a 10
15   Pulchra es et decora
16   Vespro della Beata Vergine: Lauda Jerusalem a 7
17   Sonatas (6) "Concerti ecclesiastici": no 1 for Violin, Cello/Violone and Cornetto
18   In omnibus requiem quesivi
19   Vespro della Beata Vergine: Ave maris stella
20   Vespro della Beata Vergine: Ave maris stella
 
DISC 2 for Monteverdi: Vespro della Beata Vergine, Selva morale e spirituale (CD) Album By Andrew Parrott (Conductor)
1   Hodie Maria virgo coelos ascendit
2   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
3   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
4   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
5   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
6   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
7   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
8   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
9   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
10   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
11   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
12   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
13   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
14   Vespro della Beata Vergine: Magnificat a 6 - Magnificat
15   Dominus vobiscum
16   Benedicamus Domino
17   Vespro della Beata Vergine: Duo Seraphim clamabant
18   Salve, O regina
19   Ora pro nobis
20   Dominus vobiscum
21   Divinum auxillium maneat semper nobiscum
22   Selva morale e spirituale: Dixit Dominus
23   Selva morale e spirituale: Dixit Dominus
24   Selva morale e spirituale: Dixit Dominus
25   Selva morale e spirituale: Dixit Dominus
26   Selva morale e spirituale: Dixit Dominus
27   Selva morale e spirituale: Dixit Dominus
28   Selva morale e spirituale: Dixit Dominus
29   Selva morale e spirituale: Dixit Dominus
30   Selva morale e spirituale: Dixit Dominus
31   Selva morale e spirituale: Dixit Dominus
32   Selva morale e spirituale: Dixit Dominus
33   Selva morale e spirituale: Dixit Dominus
34   Selva morale e spirituale: Dixit Dominus
 

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Title Note

With the resounding success of 'Orfeo' in 1607, Claudio Monteverdi's fame as a composer of secular music was on the rise. Little good did this do his desire to assume the recently vacated position of chapel master at the Palatine basilica of Santa Barbara in the Gonzaga court. Most historians now agree that Monteverdi composed the spectacular compendium of sacred music in old and new styles, his 'Vespro della Beata Vergine' of 1610, in order to display his sacred music wares. Monteverdi's dedicating the 'Vespro' to the Pope and publishing it in Venice were wisely strategic, for when the Duke passed over Monteverdi for the chapel master position, he was soon offered the equivalent position at St. Mark's in Venice, where he spent the rest of his life.

The renowned Taverner Consort gives this wide-ranging music an elegant and passionate performance. They are graced with the flexibility to embrace what would be, for most ensembles, a dauntingly varied array of musical styles. Their choice to round out this recording with six selections from 'Selva morale e spirituale' of 1641 is most apt, for as Monteverdi's Venetian swan song, they represent the pinnacle of both madrigal composition and Monteverdi's art.



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