Monteverdi:Scherzi Musicali a tre voci (CD) ~ Sergio Vartolo (Co... Cover Art

Scherzi Musicali a Tre Voci (CD)

By: Sergio Vartolo (Conductor), Concerto delle Dame di Ferrara (Ensemble), Antonio Abete (Performer) and Patrizia Vaccari (Performer)


Current Price: $11.29
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Also available from:

Provider Name Price From Condition Buy
1   HBDirect $7.94 New Buy
2   CD Universe $11.29 New Buy

Track Listing

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Amazon.com Album                  CD Universe Album
 
DISC 1 for Scherzi Musicali a Tre Voci (CD) Album By Sergio Vartolo (Conductor) Amazon.com iTunes CD Universe
1   I bei legami Buy    
2   Amarilli onde m'assale: Amarilli onde m' assale Buy Buy  
3   Fugge il verno dei dolori: Fugge'l verno Buy    
4   Quando l'alba in oriente: Quando l'Alba in Oriente Buy    
5   Non cosi tost'io miro: Non cosi tosto io miro Buy    
6   Damigella: Damigella tutta bella Buy    
7   La pastorella mia spietata e rigida: La Pastorella Buy    
8   O rosetta che rossetta: O rosetta che rosetta Buy    
9   Amorosa pupilletta Buy    
10   Vaghi rai di cigli ardenti Buy    
11   La violetta Buy    
12   Giovinetta: Giovinetta ritrosetta Buy    
13   Dolci miei sospiri Buy Buy  
14   Clori amorosa Buy    
15   Lidia spina del mio core Buy    
16   Deh chi tace il bel pensero Buy    
17   Dispiegate guance amate Buy    

Product Description


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Product Notes

This is apparently the only complete recording of the Scherzi musicali in print. How odd: these straightforward settings of Italian verse, scored for two sopranos and bass, are among Monteverdi's most accessible works: each stanza of a poem is set to the same music, with a ritornello (repeated instrumental interlude, in this case for two violins and continuo) separating the verses. Performers can avoid the potential repetitiveness by doing some verses as solos and adding embellishments to each verse. The instrumentalists do this quite nicely (the harpsichordist throws in a little flourish at the end of every piece); the singers don't do it enough. In addition, Vartolo takes most of these pieces at the same moderate tempo: it all begins to blur into Monteverdi-in-the-Morning. That said, the period instrumentalists and singers have a light, nimble sound ideal for this music, and four or five of the pieces do get very lively, dance-like performances (with added tambourine or drum); those are a real treat--and worth the very reasonable price of this disc. --Matthew Westphal



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