Mahler: Symphony No. 3 in D minor (CD) ~ Esa-Pekka Salonen (Cond... Cover Art


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DISC 1 for Mahler: Symphony No. 3 in D minor (CD) Album By Esa-Pekka Salonen (Conductor) Amazon.com iTunes CD Universe
1   Movement I: Kräftig. Entschieden (Voice) Buy Buy  
2   Langsam. Schwer (fig. 13) (Voice) Buy Buy  
3   Tempo I (fig. 18) (Voice) Buy Buy  
4   A tempo (fig. 29) (Voice) Buy Buy  
5   Immer dasselbe Tempo (Marsch). Nicht eilen (fig. 43) (Voice) Buy Buy  
6   Tempo primo. Wie zu Anfang (fig. 55) (Voice) Buy Buy  
7   Tempo I (fig. 62) (Voice) Buy Buy  
8   Movement II: Tempo di Menuetto. Sehr mässig (Voice) Buy Buy  
9   A tempo (fig. 6) (Voice) Buy Buy  
10   Ganz plötzlich gemächlich. Tempo di Menuetto (fig. 14) (Voice) Buy Buy  
11   Movement III: Comodo. Scherzando. Ohne Hast (Voice) Buy Buy  
12   Wieder sehr gemächlich, wie zu Anfang (fig. 6) (Voice) Buy Buy  
13   Sehr gemächlich (fig. 14) (Voice) Buy Buy  
14   Tempo I (fig. 17) (Voice) Buy Buy  
15   Wieder sehr gemächlich, beinahe langsam (fig. 27) (Voice) Buy Buy  
 
DISC 2 for Mahler: Symphony No. 3 in D minor (CD) Album By Esa-Pekka Salonen (Conductor) Amazon.com iTunes CD Universe
1   Movement IV: Sehr langsam. Misterioso. Durchaus ppp. ("O Mensch!") (Voice) Buy Buy  
2   Tempo primo (two before fig. 7) (Voice) Buy Buy  
3   Movement V: Lustig im Tempo und keck im Ausdruck ("Es sungen drei Engel") (Voice) Buy Buy  
4   Movement VI: Langsam. Ruhevoll. Empfunden (Voice) Buy Buy  
5   Nicht mehr so breit (fig. 4) (Voice) Buy Buy  
6   Tempo I. Ruhevoll! (fig. 9) (Voice) Buy Buy  
7   A tempo (Etwas bewegter) [fig. 14] (Voice) Buy Buy  
8   Tempo I (fig. 21) (Voice) Buy Buy  

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Product Notes

Finnish conductor Esa-Pekka Salonen is one of the few indisputably great masters of his trade. Thank God he''s young and healthy, with a long career in front of him. He is currently presiding over what I have no doubt will later be regarded as a sort of "golden age" in Los Angeles. The orchestra has never sounded better--in fact, the playing on this disc is so staggeringly fine that you''re simply not conscious of it at all. Salonen''s interpretation is equally persuasive. It''s so natural that it actually makes the work--the longest symphony in the repertoire--seem short. Because he makes everything sound so easy, he has been criticized for a certain emotional coolness. Humbug! Check out the end of the first movement for the most exciting and passionate five minutes of music you''re ever likely to hear. Greatness, folks, pure and simple. -- David Hurwitz



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