Love Is All I Had: A Tribute To The Queen Of Jamaican Soul (Impo... Cover Art

Love Is All I Had: A Tribute To The Queen Of Jamaican Soul (Import) (CD)

By: Phyllis Dillon (Artist)


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Product Description


Track Listing

DISC 1 for Love Is All I Had: A Tribute To The Queen Of Jamaican Soul (Import) (CD) Album By Phyllis Dillon (Artist)
1   Don't Stay Away  
2   (This Is) A Lovely Way To Spend An Evening  
3   Thing Of The Past, A  
4   Make Me Yours  
5   Leave It In The Hands Of Love  
6   Perfidia  
7   It's Rocking Time (Aka Rocksteady)  
8   Nice Time (Aka Long Time)  
9   Tulips (And Heather)(With Boris Gardner)  
10   I Wear His Ring  
11   Don't Touch Me Tomato  
12   Why Did You Leave Me (& Alton Ellis)  
13   Love Letters (& Alton Ellis)  
14   Love Is All I Had  
15   Boys And Girls Reggae (Aka Doing The Reggae)  
16   Take My Heart (& Hopeton Lewis)  
17   Right Track, The (& Hopeton Lewis)  
18   Walk Through This World (& Hopeton Lewis)  
19   Remember That Sunday (& Alton Ellis)  
20   You Are Like Heaven To Me  
21   Living In Love (Aka One Life To Live One Love To Give)  
22   Midnight Confessions  
23   Woman In The Ghetto (Aka Woman Ghetto)  
24   I Can't Forget About You Baby  
25   Picture On The Wall  
26   Eddie Oh Baby  
27   Love That A Woman Should Give A Man, The  
28   We Belong Together  
29   Love The One You're With  
 


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Product note

Full title: Love Is All I Had: A Tribute To The Queen Of Jamaican Soul.

Title Note

A reluctant pop star if ever there was one, Phyllis Dillon balanced a recording career in Jamaica with a job in the U.S. working in a bank. Love Is All I Had is the most comprehensive collection of her work to date, packed to the brim with a staggering 29 cuts of vintage rocksteady and early reggae, all cut with Duke Reid for his Treasure Isle imprint. The earliest songs from Love Is All I Had date from 1967 (with the exception of Dillon's 1966 self-penned debut, "Don't Stay Away"), and exude an innocence common in the best sides from the Shirelles, Lesley Gore, and exponents of the girl group sound. Dillon's cover of Bettye Swann's "Make Me Yours" is such a song, while her original "It's Rocking Time" would help to define the rocksteady era itself. Although she will always be associated with rocksteady, Dillon recorded some great reggae as well. While her take on the Grass Roots' "Midnight Confessions" and role-reversing cover of Eric Donaldson's "Cherry Oh Baby" as "Eddie Oh Baby" haven't aged too well, her pulsing cover of Marlena Shaw's "Woman of the Ghetto" remains a dancefloor classic. No matter what she's singing, though, it's hard not to fall in love with her voice, making even touristy cuts like the randy "Don't Touch Me Tomato" worth hearing. ~ Wade Kergan

Album Description

A reluctant pop star if ever there was one, Phyllis Dillon balanced a recording career in Jamaica with a job in the U.S. working in a bank. Love Is All I Had is the most comprehensive collection of her work to date, packed to the brim with a staggering 29 cuts of vintage rocksteady and early reggae, all cut with Duke Reid for his Treasure Isle imprint. The earliest songs from Love Is All I Had date from 1967 (with the exception of Dillon's 1966 self-penned debut, "Don't Stay Away"), and exude an innocence common in the best sides from the Shirelles, Lesley Gore, and exponents of the girl group sound. Dillon's cover of Bettye Swann's "Make Me Yours" is such a song, while her original "It's Rocking Time" would help to define the rocksteady era itself. Although she will always be associated with rocksteady, Dillon recorded some great reggae as well. While her take on the Grass Roots' "Midnight Confessions" and role-reversing cover of Eric Donaldson's "Cherry Oh Baby" as "Eddie Oh Baby" haven't aged too well, her pulsing cover of Marlena Shaw's "Woman of the Ghetto" remains a dancefloor classic. No matter what she's singing, though, it's hard not to fall in love with her voice, making even touristy cuts like the randy "Don't Touch Me Tomato" worth hearing. ~ Wade Kergan



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