Louisiana Music (Paperback) ~ Rick Koster (Author) Cover Art

Louisiana Music (Paperback)

By: Rick Koster (Author)


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First line

Louis Armstrong is buried in Flushing Cemetery in Flushing, Queens, New York City. That's a long way from New Orleans, where he was born and where he learned to play music.

Publisher's note

The first and only guide to all the music and musicians, young and old, of America's most raucous, rocking state.
What is it about Louisiana that breeds and attracts musicians? There are literally hundreds of them: Dr. John, the Meters, Harry Connick, Jr., Randy Newman, Trent Reznor (Nine Inch Nails), the Marsalis family, all part of a tradition going back to Louis Armstrong, Fats Domino, Professor Longhair, Jelly Roll Morton, Buddy Bolden, and Mahalia Jackson. Rick Koster, in tackling the monumental task of surveying the lush musical landscape of the state, examines all of the ingredients that went into creating this hotbed of talent -the social influences, the musical traditions, the food, the drink, the heat-and introduces us to the stars, both local and national, who have emerged. Discover the past and present of jazz, rock, zydeco, R&B, gospel, blues, country, and straight-up rock 'n' roll; learn too about the styles unique to Louisiana, like voodoo music, swamp pop, second-line brass bands, and Mardi Gras Indian tribes. With the laid-back charm and easy appeal that defines the state, Koster has created a survey as uniquely and teemingly rich with sound and story as the place itself.

Annotation

Louisiana is a state of legendarily shady politics, famously mouth-watering food, and a music scene that's eclectic enough to encompass the seminal R&B pianist Professor Longhair, rap impresario Master P, and metal combo Pantera's vocalist Phil Anselmo. LOUISIANA MUSIC, Rick Koster's wide ranging study of the state's diverse music industry, is a comprehensive look at the many and varied home-grown and transplanted artists who've been inspired by Louisiana music. The jazz musicians you'd expect are here, like Louis Armstrong and the Marsalis dynasty, in addition to more esoteric performers like avant-garde drummer Ed Blackwell, but Koster gives equal time to rock and hip-hop performers like Better Than Ezra and C-Murder, and to folk and country artists like Lucinda Williams and Jesse Winchester. Koster crams the maximum amount of detail into his short biographies, and with his easy-going prose and tolerant perspective, he's an ideal guide through the multicultural layers of a state whose musical legacy is too broad and fertile to be confined solely to jazz, Cajun, and Zydeco.



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