Looking in (Hardcover) ~ Robert Frank (Photography) Cover Art

Looking in (Hardcover)

By: Robert Frank (Photography)


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Review

"It's evidence both of the cycles of American life and the timelessness of photographer-filmmaker Robert Frank's art that a half century after the debut of his ground-shifting book The Americans, so many of its brazen, coarsely poetic pictures still frame our national experience."

Publisher's note

First published in France in 1958 and in the United States in 1959, Robert Frank's THE AMERICANS is widely celebrated as the most important photography book since World War II. Including 83 photographs made largely in 1955 and 1956 while Frank (b. 1924) traveled around the United States, the book looked beneath the surface of American life to reveal a profound sense of alienation, angst, and loneliness. With these prophetic photographs, Frank redefined the icons of America, noting that cars, jukeboxes, gas stations, diners, and even the road itself were telling symbols of contemporary life. Frank's style--seemingly loose, casual compositions, with often rough, blurred, out-of-focus foregrounds and tilted horizons--was just as controversial and influential as his subject matter. The exhibition celebrates the 50th anniversary of the book's publication by presenting all 83 photographs from THE AMERICANS in the order established by the book, and by providing a detailed examination of the book's roots in Frank's earlier work, its construction, and its impact on his later art.

Published alongside the previously announced 384-page paperback edition of "Looking In: Robert Frank's "The Americans,"" this definitive, expanded 544-page hardcover edition contains a plethora of additional materials--essential information for scholars and serious photo enthusiasts alike. Both editions are authored by the preeminent Frank scholar and National Gallery of Art curator Sarah Greenough, and both contain engaging essays by Anne Tucker, Stuart Alexander, Martin Gasser, Jeff Rosenheim, Michel Frizot, Luc Sante and Philip Brookman. However, the expanded edition also contains all of Frank's contact sheets for "The Americans," additional letters and manuscript materials, a chronology (and map) of Frank's trips across America, a selected exhibition history and a preliminary sequence for the book with a chart comparing various editions in "The Americans'" long international publishing history.
First released in 1958-59, Robert Frank's seminal work, "The Americans," is without question the single most important photographer's book published since World War II, and it continues to be profoundly influential, inspiring countless photographers around the world. This catalogue and the traveling exhibition it accompanies mark the fiftieth anniversary of the book's publication. "Looking In: Robert Frank's "The Americans"" provides a fascinating, in-depth examination of the making of the photographs for the book and its actual construction, using vintage contact sheets and work prints that literally chart Frank's journey around the country on a Guggenheim grant in 1955-56. Curator and author Sarah Greenough and her colleagues explore the making of "The Americans" as well as its roots inFrank's earlier work, which is abundantly illustrated here, and in books by photographers Walker Evans, Bill Brandt and others.
The 83 original photographs from "The Americans" are presented in sequence in as near vintage prints as possible, and a later section visually demonstrates the differences--in image selection, cropping and sequencing--between the original maquette for the book and its published versions. The catalogue concludes with an examination of Frank's later reinterpretations and deconstructions of "The Americans," bringing full circle the history of this resounding entry in the annals of photography.



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